French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
Two beds belonging to Louis XIV. were described in 1718 after his death,
and as having been made especially for him. One was _à la duchesse_
(_demi ciel_), and the other was _à l’Impériale_ (the dome surmounted by
a crown). The latter must have been very handsome, as it was of yellow
damask, embroidered in silver, the design being foliage, leaves,
berries, and seeds. The whole bed was finished with a fringe of amaranth
chenille. What a charming combination! yellow and silver with a touch of
reddish purple!
In addition to the beds already mentioned the _banc à lit_ sometimes
appears.
There were two in Madame de Maintenon’s apartments: one was 5 feet, 10
inches long, and 2 feet, 2 inches wide. This was covered with moquette
and furnished with two bolsters and a pavilion of red serge. The other
was 3½ feet long and 2½ feet wide. It had a cover of crimson damask and
was surmounted by a pavilion of red serge.
In nearly every room of the period, a _lit de repos_ is found. Two
varieties of this piece of furniture are shown on Plate VIII. and on
Plate XIII., one having but one back and the other, two. It was always
richly upholstered and furnished with a round bolster at each end and
sometimes with two square cushions as well. Although frequently called
_chaise longue_, this couch is more generally known in France at this
period as _lit de repos_. Toward the end of the reign of Louis XIV. it
was placed in the niche, lengthwise of course. Its covering always
agreed with the rest of the furnishings of the room; but sometimes we
come across one described by itself; as for example, one in 1671 that
had a double back, that is to say, a back at each end, like the one from
the Château de Chenonceau on Plate XIII. This was furnished with two
round bolsters, two square pillows and two mattresses, all upholstered
in a silk brocade of violet, aurora and white, trimmed with a braid of
the same colours and a fringe of gold, silver and silk. The wood of the
frame was carved and painted violet and white and gold. The slip cover
for this beautiful couch was of changeable taffeta, of the hue known as
_gorge de pigeon_.
We may note here that all the sofas, chairs and folding-seats, as well
as couches, had separate _housses_ or slip covers that were made as a
rule of taffeta. They were used to protect the furniture.
Public-domain text, read in full here on John Shaqi.
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