He had learnt nothing and forgotten nothing during his exile, and
notwithstanding the strong advice of the Powers who had set him up in
business as a monarch, he encouraged a steady reaction against the
improvements that had been so liberally encouraged in the State by
Napoleon and his ministers.
The French nation had but little loyalty or affection for this gouty,
gluttonous, fat old man, but they ridiculed him, and bore with him, till
his death in 1824.
His brother, the Comte d’Artois, who succeeded him as Charles X., a
narrow-minded, obstinate, and priest-ridden man, persevered in the same
course as Louis XVIII., and was even more unpopular.
Under these two Bourbons, who strove hard to undo all the reforms that
the Revolution had effected, those of the old nobility who had survived
the Terror and the Wars were encouraged to return to France, and once
again the refrain was:
“Chapeau bas, chapeau bas!
Gloire au Marquis de Carabas.”
They resumed their ancient titles, estates, and family arms, but the
bulk of the French nation declined to consider them, or their claims,
seriously. Both Louis XVIII. and Charles X. created new nobles from
amongst their personal and political adherents, but few men of worth or
importance were willing thus to be ennobled.
The rules of heraldry devised by Napoleon were annulled, and the old
system revived. But though the wealth of the nation had greatly
increased during the few years of peace, whilst the taste for literature
and the formation of large collections of books had once again come into
fashion, the book-plates of this period show no improvement in taste,
and no originality in design. They are either overladen with
meretricious ornamentation, or simple name labels possessing no artistic
interest whatever.
One of the very few plates of the time worth naming is that of the
Duchesse de Berry for her library at Resny, on which we find the lilies
of the French royal family. The Duchess also used a simpler plate
similar to a book-binding stamp.
Probably Berryer the famous advocate, had his plate engraved about this
time; it is in the Louis XVI. style. (See page 149.)
The pretentious plate of Victor, Duc de Saint Simon Vermandois, Pair de
France, Grand d’Espagne, is an example of the want of taste of the
Restoration, as is also that of the _Bibliothèque de La Motte_ which is
destitute of grace or finish.
[Illustration: BOOK-PLATE OF THE DUCHESSE DE BERRY.]
At length, in July, 1830, the French, weary of the reactionary rule of
Charles X. and of his breaches of faith, drove him from the throne, and
he sought refuge in England.
His cousin Louis Philippe was elected king of the French, and for
eighteen years the country enjoyed comparative peace, and great
commercial prosperity.
Then at last was France released from the nightmare pressure of the
_ancien régime_, and free to choose a constitutional government suited
to her requirements and the progress of modern civilization.
Public-domain text, read in full here on John Shaqi.
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