As long as our boats were in sight of the station we could see handkerchiefs and helmets waving to us in token of adieu, and when the flag of the fort disappeared from view our hearts felt somewhat oppressed, for we were leaving all that in our exile from France represented our native country. Henceforth we five white men, with our twenty-eight black followers, were thrown on our own resources, and had to depend upon ourselves alone. How many of us would return? How many of us were destined to sleep our last sleep beneath the soil of Africa? [Illustration: AT TIMBUKTU.] [Illustration: DROVE OF OXEN.] CHAPTER III FROM TIMBUKTU TO TOSAYE On January 22 we made a very short stage, and moored about mid-day at Geïgelia, a little village picturesquely perched on rising ground of a reddish hue, a little below the mouth of the stream, which, as I have said, gives access to Day and Kabara. We determined to spend the afternoon in making things snug. Hitherto we had put off from day to day the task of arranging our cabins. Now our three little craft are all the world to us, the floating castles which must drift down with us to the sea, _Inch Allah!_ (God willing), as the Mussulmans say. We must shake down in them as comfortably as possible. I occupy the fore-cabin of the _Davoust_. On one side is my plank bed, with, for mattress, the wrappings of the presents which we take out one by one as required, replenishing them from the bales in the hold. On the other side is a big table, with packing cases serving as legs. Everywhere books and instruments, an iron chest containing the more valuable presents: caftans, velvet burnous, gold-embroidered turbans, etc. On the mats which cover the partitions, I have fixed the photographs of a famous singer, purchased in the Rue de Rivoli, in a moment of musical enthusiasm. I found them by chance at the bottom of a trunk, into which they must have slipped when I was leaving France. These portraits, as will be seen, played a part in the politics of the Niger. Opposite them, an engraving of the President of the Republic, or rather, Sultan of France, as they call him here. Nor must the phonograph in its ingenious case be forgotten, with the voltaic piles, Geissler’s tubes, little electric lamps, forming a fairy crown, which is lighted on pressing a button. Such articles as have hitherto figured in the baggage of none but the passengers of Jules Verne. The after-cabin is Père Hacquart’s sanctum, and also the arsenal. The Father rests peacefully on a couch of rice and biscuit tins, with the conventional bedding of package wrappings; on the partitions, the ceiling, everywhere, I have fixed guns for presentation, revolvers, etc., for exchange; a goodly number of cases of cartridges, moreover, give this retreat the appearance of an armoury. On the bridge, all round the machine-gun, are more cases, which serve as benches for the oarsmen.