The surrounding scenery of Paris is unimaginably enchanting. Luckily
for themselves, and unluckily for the fastidious dreamers, the people
have spoiled all this beauty with their gingerbread fairs, their rowdy
diversions, their feasts and improprieties. Bougival is given over
to ladies of indecorous habits and their fugitive mates, Asnières is
now a place where fast men take women at war with respectability and
virtue to dwell at ease, so that these pretty resorts are closed to the
puritan holiday maker. If you have not lived in the neighbourhood of a
French fair for the traditional three weeks of its duration, you cannot
understand to what extent a nation or a city may be martyrised for the
pleasure of its people. The clamour of diverse sounds begins at ten A.M.
and ends only at one A.M., fifteen hours later. There are the roars of
the wild beasts, the tambour beating outside each booth at intervals,
the whiz and whistle of the merry-go-rounds, the frightful music of the
dancing halls, each repeating without intermission the same airs and all
simultaneously, so that you hear the waltz of Faust, of Mme. Angot, the
jingle of the _Danse du Ventre_, and polkas and marches in a maddening
mingle. Add to this the uninterrupted popping of guns, and the shouting
of the booth proprietors, and you have all the elements of an inferno
never imagined by Dante. To complain were idle. The people are taking
their pleasures, and the people must live. So the world of fashion, when
a fair comes its way as it does at Neuilly, makes the best of it with the
good-humoured philosophy of France, and goes down into its midst. At the
fair of Neuilly it is the _chic_ thing for the elegant diners to attend
in evening dress, and admire the pugilist, the lions and tigers, the
merry-go-rounds, and the exhibitions of the tents.
Public-domain text, read in full here on John Shaqi.
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