Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'Rizal, José
History
Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Then he would repeat to every countryman who came along what he had
already said a thousand times: "Do you know what we are going to
build? Well, it is a school house, a model of its kind, something
like those in Germany, but still better. The architect, Señor R.,
draughted the plans and I, I am in charge of the work. Yes, sir,
you see this is going to be a regular palace with two wings, one for
the boys and one for the girls. Here in the middle is to be a large
garden with three fountains. There, on the sides, groves, where the
children can sow and cultivate plants during the hours of recreation,
thus improving the time. Just see how deep the foundations are to be:
three meters and seventy-five centimeters. The building is going to
have a cellar where the indolent pupils will be confined. This will be
very close to the playing ground and the gymnasium, so that those who
are punished may hear the diligent pupils enjoying themselves. Do you
see this large space? Well, this will be a place for them to run and
jump. The girls will have a separate garden with benches, swings,
a special place for jumping the rope and rolling hoops, fountains
and a bird-house. This is going to be magnificent!"
He kept going from one end to the other, inspecting everything and
passing his opinion on all.
"I find that you have got too much lumber here for a crane," said he to
a yellowish-looking fellow, who was directing some other laborers. "I
would have enough, with three large beams, to form the tripod and
with three others to serve as supporters."
"O, pshaw!" replied the other, smiling in a peculiar way. "The more
apparatus we give ourselves, the greater effect we will produce. The
massiveness of it will make a bigger show and give it more
importance. They will say: 'What a lot of work has been done!' You
look at that crane that I am constructing. In a little while, I am
going to ornament it with banderolas, garlands of flowers and leaves,
and ... you will say afterward that you were right in hiring me,
and Señor Ibarra cannot wish for more than that!"
The man laughed. Ñor Juan also smiled and shook his head.
As a matter of fact, the plan for the school had been approved by
everybody and all were talking about it. The curate had asked to be
allowed to be one of the patrons of the enterprise and he himself was
to bless the laying of the corner stone, a ceremony which would take
place on the last day of the San Diego festival, as it was considered
one of the great solemnities.
The dismal presentiments of the old Tasio seemed to have been
dissipated forever. One day Ibarra told the old man so, but the old
pessimist only replied: "Things may go well at first, but be on your
guard against masked enemies."
CHAPTER XV
AS NIGHT COMES ON.
Public-domain text, read in full here on John Shaqi.
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