Short stories, Swedish -- Translations into English; Sweden -- Social life and customs -- Fiction
Gunnar Hede only thought of getting his fingers into practice when he
played these childish exercises. But he soon noticed that something
strange was happening to him. He had a distinct sensation that in his
brain there was some great darkness that hid his past. As soon as he
tried to remember anything, it was as if he were trying to find
something in a dark room; but when he played, some of the darkness
vanished. Without his having thought of it, the darkness had vanished so
much that he could now remember his childhood and school life.
Then he made up his mind to let himself be led by the violin; perhaps it
could drive away all the darkness. And so it did, for every piece he
played the darkness vanished a little. The violin led him through the
one year after the other, awoke in him memories of studies, friends and
pleasures. The darkness stood like a wall before him, but when he
advanced against it, armed with the violin, it vanished step by step.
Now and then he looked round to see whether it closed again behind him.
But behind him was bright day.
The violin came to a series of duets for piano and violin. He only
played a bar or two of each. But a large portion of the darkness
vanished; he remembered his _fiancée_ and his engagement. He would like
to have dwelt a little over this, but there was still much darkness left
to be played away. He had no time.
He glided into a hymn. He had heard it once when he was unhappy. He
remembered he was sitting in a village church when he heard it. But why
had he been unhappy? Because he went about the country selling goods
like a poor pedlar. It was a hard life. It was sad to think about it.
The bow went over the strings like a whirlwind, and again cut through a
large portion of the darkness. Now he saw the Fifty-Mile Forest, the
snow-covered animals, the weird shapes, the drifts made of them. He
remembered the journey to see his _fiancée_, remembered that she had
broken the engagement. All this became clear to him at one time.
He really felt neither sorrow nor joy over anything he remembered. The
most important thing was that he did remember. This of itself was an
unspeakable pleasure. But all at once the bow stopped, as if of its own
accord. It would not lead him any further. And yet there was more--much
more--that he must remember. The darkness still stood like a solid wall
before him.
He compelled the bow to go on. And it played two quite common tunes, the
poorest he had ever heard. How could his bow have learned such tunes?
The darkness did not vanish in the least for these tunes. They really
taught him nothing; but from them came a terror which he could not
remember having ever felt before--an inconceivable, awful fear, the mad
terror of a doomed soul.
Public-domain text, read in full here on John Shaqi.
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