"I'm not a fool," she continued, "so please don't waste your breath.
You have heard all the star singers, and know how ridiculously far
beneath them I fall, when I try to sing their music. I think you
might have told me. It would have been truer kindness than your
hollow applause. Why our teachers make us the laughing-stock of
society, by keeping us upon these absurd attempts at music beyond
us, to the exclusion of everything else, is something that I can't
understand. My ear is not over nice, but I have always had a suspicion
that I was executing, in the sense of murder, the difficult arias
that the old weazen-faced Italian professor kept me at till brother
Dan said, in truth, that I was turning into a screech-owl. But no
one, save he and Mr. Hemstead, has been honest enough to tell me
the truth. Thus, on many occasions, I have taxed the politeness of
people to the utmost, no doubt, and been the cause of innumerable
complimentary fibs, like those you have just been guilty of, Julian.
Perhaps, Mr. Hemstead, you think a style of music like this more
suited to my powers "; and she struck into a well-known plantation
song.
"No," said he, laughing, "I think you do yourself still greater
injustice."
"You probably think I cannot sing at all."
"On the contrary, I think you have an unusually good voice. I wish
you would sing that air that you were humming when you came into
the parlor this afternoon. I liked that, and imagine it is suited
to your voice."
"What was it? O, I remember. An arr from Faust, that Marguerite
sings at her spinning-wheel. I think I can give that pretty decently."
She sang it sweetly, with taste and some power. Hemstead's
appreciation was hearty, and she knew it was sincere.
"Now that you have done me such good service," she said laughing,
"and shown that mediocrity is my musical position, let us have some
old-fashioned ballads, and all sing them together in sleigh-riding
style."
"Pardon me, Miss Marsden, I assign you to mediocrity in nothing."
"O, no, not you; my own abilities place me there. But come, each
one sing"; and she commenced a ballad, well known to the others,
but not to him.
It sounded very well indeed, only Harcourt's bass was much too
light for the other voices.
"Why don't you sing?" asked Lottie of Hemstead.
"I do not know the air or words."
"Shall we try Old Hundred?" asked De Forrest. "Ahem! The long
metre doxology.
"Praise God from whom all blessings flow."
Addie and Harcourt joined in laughingly. Bel began with them, but
stopped when she saw that Lottie did not sing.
"Do you believe that 'all blessings flow' from God?" asked Hemstead
of De Forrest.
"I suppose so, according to Old Hundred," he said lightly.
"You don't 'suppose so' at all, Julian. You know it, as we all do,
however we may act," said Lottie, with emphasis.
Public-domain text, read in full here on John Shaqi.
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