From the Easy Chair, Volume 1Curtis, George William
General
From the Easy Chair, Volume 1
Curtis, George William
American essays
He ran down, and into the street, and around the block, and, lo!
Signor Raffaello was the fond magician. He was turning the crank of
his heavy organ, and Don Whiskerando, feathered cap in hand, was
climbing the balcony of the drawing-room windows, and Signor Raffaello
was raising his eyes towards the upper windows to see if haply some
child or nurse attended. Eugenio dropped more than a penny into the
ready hand of the signore, and was gone before the swarthy magician
could make out his benefactor. Eugenio gained his room, and with
sympathetic intelligence the signore, playing out the College
Hornpipe, once more touched the stop of "So' marinaro," and renewed
the happy spell.
It is not fine music, that of the hand-organ and the street bands; it
is indeed too oft a cracked and spavined pleasure. Doubtless it is
justly classified as one of the street noises, and street noises are
probably nuisances to be abated. But strolling in the eastern quarters
of the city, beyond the domain of the Academy and the Metropolitan
Opera-house and the halls of Steinway and Chickering, have you never
seen an eager and ragged little rabble happily watching Don
Whiskerando, while their elders are plainly pleased for a moment with
that tuneful noise? The fruit is not wholly sound, but it is far from
rotten. The music is poor, but the pleasure is unquestionable.
Possibly the "Gotterdammerung," and even Siegfried's "Tod," would pass
these people unmarked, like the wind. They cannot hold those mighty
measures. But they are receptive of these little tunes. In a life of
not much enjoyment this brings them some pleasure. Shall it be stopped
altogether? It is the business of these peddlers of tunes to wander.
They will move on if you do not want them. But must they also move
away from those who do want them?
If there be too much noise in the streets, might not some other form
of noise have been first silenced than that of the street musicians?
There are the factory whistles and the church-bells. For the necessity
of the first something may be said. But the heavy clangor of the bells
is doubtless more than a discomfort to many, and it is wholly useless,
while the music of the organs and the bands is a pleasure. Do the
Aldermen, like Homer, sometimes nod? Sometimes, for an inadvertent
hour, do the finer instincts of public spirit flag in those civic
bosoms? What evil genius, hostile to the enjoyment of the people,
persuaded them? Did the city fathers for one ill-starred moment forget
their Tacitus, and silence the street music unmindful of those words,
so familiar to them in their hours of classic relaxation--_Solitudinem
faciunt, pacem appellant_?
A LITTLE DINNER WITH THACKERAY.
Public-domain text, read in full here on John Shaqi.
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