From the Easy Chair, Volume 3Curtis, George William
General
From the Easy Chair, Volume 3
Curtis, George William
American essays
The town of Stratford-upon-Avon seemed not to be conscious of the great
truth which the Easy Chair is expounding when it seemed disposed to let
the house of Shakespeare be sold, and even moved away. But England at
least was wiser, and the house remains. Some day--and the Easy Chair
dedicates the remark as a conciliatory conclusion to the _Bugle of
Freedom_--some day the Bugles of that same honored name will gaze at the
present printing-office, where a sympathetic Easy Chair trusts the jobs
are many and profitable, and will say, with emotion, "There the parental
_Bugle of Freedom_ blew its melodious note." It will do the Buglets no
harm, as they return to their palatial mansions, to reflect upon the
simple and sturdy origin of their prosperity.
The Easy Chair has the more feeling upon this subject because directly
opposite to the vast and many-windowed building from which it surveys
the world stands the old Walton House. Eighty years ago it was one of
the finest houses in town. The Square, where now business hums and
roars, then softly murmured with fashion, and this was the Faubourg St.
Honoré of the republican city. The house still has the stately air of
the old régime. The stone pediment of the windows is elaborate and
arrests the idle eye. But it is now a sailors' boarding-house. The walls
are cracked, and the house has an indescribable aspect of shabbiness and
neglect. Surrounded by the mere mob of three-storied modern brick
buildings, it has evidently become reckless and lost to shame, like a
king's heir fallen into debauched and degraded courses. Long since
slighted and forgotten, its peers utterly gone, their descendants moved
miles away, and become a modern generation about the reservoir on Murray
Hill, the Easy Chair has yet more than once, late on a summer afternoon,
when trade had gone up-town, and silence and dreams were setting in,
beheld the old Walton House glancing covertly across the street at our
modern, many-windowed, bustling palace of busy traffic with a look of
high-born haughtiness and contempt. "There may be trade going on within
my walls," it seems to say as it gazes, "but I am innocent of it. I was
not built for trade, at least." And then the Easy Chair, with its own
eyes fixed upon the cracked and leaning walls, seems to see it reeling
away into its dingy obscurity.
Public-domain text, read in full here on John Shaqi.
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