From the Easy Chair, Volume 3Curtis, George William
General
From the Easy Chair, Volume 3
Curtis, George William
American essays
This man, with bald head set low upon high square shoulders, who looks
firmly at the great audience through spectacles, and speaks in a low
half-nasal tone, visits the widows and fatherless, and keeps himself
unspotted from the world. What he believes, others may question. What he
is, every aspiring soul must admire. Although almost every one of them
would have theologically cast him out and have recoiled from him with
dismay, yet he preserves more than any other the traditional power and
individualism of the old New England clergy. He applies the eternal
truth and the moral law as he feels it to the life and times around him.
They are heated white, and his words are blows of a sledge-hammer to
mould them into noble form. That dauntless mien is the true symbol of
his mental aspect as he confronts the menacing principalities and
powers, and the man whose voice has so often charmed the crowded hall
is one of the few who distinctly see and foretell the terrible war.
Long since his tongue is silent. He who came of the toughest stock and
might have looked to live almost a century, died when it was half spent.
It may have seemed to the great throng easy to climb that platform and
preach a sermon every Sunday morning; but to study early and late as if
he would master all knowledge; to write books, lectures, and speeches;
to travel hard by night and day, losing his sleep and his food, and by
the dim light in the car still pushing out the frontiers of his
learning; to deny himself exercise and needful rest while the mental
tension was so constant and the moral warfare so intense--this was not
easy; this was to violate all the laws of life, which none knew better;
and suddenly the stretched harp-string snapped, and there was no more
music!
Not every one who knew his power knew into what sweetness and tenderness
it could be softened, nor suspected that in the gladiator there was the
loving and simple heart of the boy. Here, as the Easy Chair sits
listening to the orchestra, it recalls the preacher when he was the
minister of a rural parish, and used to come strolling through the
fields and patches of wood to measure his wit with the friendly scholar
who was the chief at Brook Farm, or to sit docile at his feet of counsel
and sympathy. Or, again, it sees him in his country pulpit, the same
sturdy, heroic athlete, trying and tempering the weapons with which he
was to fight upon this larger scene. It was a noble character; a
devoted, generous, inspiring life, a memory always hallowed in this
hall. The conductor waves his baton! The symphony thunders from a
hundred instruments, but through them all breathes the low tone of the
remembered voice.
"Fled is that music. Do I wake or sleep?"
Public-domain text, read in full here on John Shaqi.
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