English fiction -- 19th century; Short stories, English
‘_Gott sei dank!_’ he muttered, ‘there needs no burial here,’ and his
eye followed the spoor into a cave at the rock base. Once again he
looked at the helpless corpse, and a thought came into his mind. He
rolled from the side of the rocks a large stone, rubbed on it some of
the blood still dripping from his own leg, and placed it close to the
head of the dead man--then: ‘It will be thought he fell, and struck his
head, for soon there will be but bones,’ he said with a grin; then with
a muttered oath, and a hurried look around and back, half of fear and
half of hate, he fled painfully and wearily, but with noiseless steps,
towards where in the far distance the embers of the camp fire still
cast a red glow, and whence an occasional grunt from a half-slumbering
mule was borne towards him on the breath of the dawn. Rapidly and
wearily he fled, in the misty half light, and behind him in the
darkness rose and fell the unearthly yowl--the jackal’s grace before
meat.
‘The feast begins,’ he muttered, and as answering cries came from the
scrub to the right and left of him, ‘Good eating, all of you!--this was
he born for.’
* * * * *
‘Not guilty’ was the verdict; ‘guilty, but not enough evidence,’ the
comment of the Court, for Hopper’s horse, a gaunt silverbacked jackal,
and a Cokerbôm tree were not asked to give testimony.
To this day, if you should chance to take Pietris Vanhiever with you
on a shooting trip, do not over your camp fire discourse on native
superstitions pertaining to the _Karroo_--it is calculated to upset an
otherwise good hunter.
A PRAIRIE OYSTER
‘I drink my love at the fall of night,
As the glow dies out of the Western sky;
I drink to the whirr of the widgeon’s flight,
And the coyote’s yowl, as we drundle by.
‘I drink my love in the prairie morn,
With a “Hey! farewell!” to the falling moon,
To the stars a-point at the flush of dawn,
And the waking cry of the watchful loon.
‘I drink my love in the heat and glare,
With the sun a-flame on the silent lake;
I drink to the hum of the quivering air,
To the beat and throb of the world awake.
‘Here’s a toast to them all! And it’s sung refrain
Is the clink and jar of a westward train.’
We droned along in one of those fits of despondency peculiar to trains
that have an immensity of flat ground in which to pick up their lost
time.
The night was a lovely one, hot, with a bright moon silvering the
prairie, and trying vainly to throw shadows in a shadowless space. In
a meditative mood, I lounged on the platform against the open door of
the smoking car, and it seemed to me that I was taking a lesson in the
comprehension of infinity. A rolling plain as far as the eye could
reach--not a tree--not a house--as limitless and as empty as the sky
itself.
Public-domain text, read in full here on John Shaqi.
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