From the Heart of Israel: Jewish Tales and TypesDrachman, Bernard
General
From the Heart of Israel: Jewish Tales and Types
Drachman, Bernard
Jewish folk literature; Jewish legends; Jews -- Folklore; Jews -- Social life and customs; Tales -- Israel
good; but Eliezer did not appreciate humor, and a slap was the reward of
this humorous effort. Eliezer not only spoke little at any time, but on
Sabbath he eschewed the vulgar vernacular altogether and would only
speak Hebrew, which language he alone considered suitable, as the holy
tongue for the holy day. But as he was anything but a Hebrew scholar,
the results of his efforts at restoring to colloquial use the idiom of
ancient Canaan I will leave to the imagination of the reader.
Then there was Asher, the _Chazan_, who was not really the Chazan or
official precentor of the synagogue, but a hard-working merchant in a
small way, who supported himself and his family by untiring and
unceasing labor and industry, but who was called Chazan because of his
remarkable knowledge of the traditional melodies of the German-Jewish
ritual. These melodies he could chant with much skill and a pleasant
voice; and his rendition of the services was so well liked by the
members of the congregation that they did not hesitate to say that Asher
“was a better Chazan than the Chazan.” Asher was a pleasant and friendly
individual altogether; but if one wished to gain his particular and
undying gratitude, there was no better way of doing so than by
communicating to him some new _niggun_ or Hebrew melody. It was my good
fortune to communicate to him some of the more modern synagogue chants
which I had heard in America, and which he, in his isolated village
life, had never had occasion to hear; and I do not doubt but he
remembers me gratefully to this day. Asher and his two brothers were
_Cohanim_—that is to say, of Aaronitic or priestly descent. As such it
was their prerogative, and that of their sons, to pronounce the
threefold benediction over the congregation on holidays; and it was
touching, indeed, to listen to their solemn and melodious rendition of
the ancient chant, and to notice the dignity and earnestness with which
they prepared to perform their traditional function. To gaze at them
while chanting the benediction was not permitted.
Public-domain text, read in full here on John Shaqi.
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