This was Rutherford Garretse, world-famed author and collector; the
literary lion and chief celebrity of the summer colony at Daylight
Park. But what eccentricity of genius could account for his costume and
for this bellicose method of bearing down upon a neighbor's home, was
more than the Master could guess.
Nor did the visitor's first words clear up the mystery. Halting at the
foot of the steps, Rutherford Garretse gesticulated in dumb anguish,
while he fought for breath and for coherent speech. Then, disregarding
Harmon's wondering greeting, the celebrity burst into choking staccato
speech.
"That dog!" he croaked. "That--that--DOG! The maid saw him go into the
house. Saw him go up to my study. She was afraid to follow, at first.
But in a few minutes she did. She saw him coming out of my study!
COME!!! I demand it. All of you. COME!"
Without another word, he wheeled and made off down the road, pausing
only to beckon imperiously. Marveling, the group on the veranda
followed. Deaf to their questions, he led the way. Lad fell into line
behind the perplexed Mistress.
Down the road to the next house, stalked Rutherford Garretse. At the
doorway, he repeated his dramatic gesture and commanded:
"COME!"
Up the broad stairs he stamped. Behind him trailed the dumfounded
procession; Laddie still pattering happily along with the Mistress. At
the open door of a large room at the stairhead, the author stood aside
and pointed in silent despair through the doorway.
"What's up?" queried Harmon, for perhaps the tenth time. "Is
anything--?"
His question ended in a grunt. And, like the others, he stared aghast
on the scene before him.
The room, very evidently, was a study. But much of its floor, just now,
was heaped, ankle high, with hundreds of pages of torn and crumpled
paper.
The desk-top and a Sheraton cabinet and table were bare of all
contents. On the floor reposed countless shattered articles of glass
and porcelain; jumbled together with blotters an pastepot and shears
and ink-stand and other utensils. Ink had been poured in grotesque
pattern on rugs and parquetry and window curtains.
In one corner lay a typewriter, its keys twisted and its carriage
broken. Books--some of them in rare bindings,--lay gutted and
ink-smeared, from one end of the place to the other.
Through the daze of general horror boomed the tremblingly majestic
voice of Rutherford Garretse.
"I wanted you to see!" he declaimed. "I ordered everything left as it
was. That mess of papers all over the floor is what remains of the
first draft of my book. The book I have been at work on for six months!
I--"
Public-domain text, read in full here on John Shaqi.
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