At first he chose the loneliness. As a matter of fact, his morning's
exercise had fatigued him somewhat and he went up to his room with the
intention of taking a nap. But, before lying down, he seated himself in
the rocker by the window and looked out over the prospect of hills and
hollows, the little village, the pine groves, the shimmering, tumbling
sea, and the blue sky with its swiftly moving white clouds, the latter
like bunches of cotton fluff. The landscape was bare enough, perhaps,
but somehow it appealed to him. It seemed characteristically plain and
substantial and essential, like--well, like the old Cape Cod captains of
bygone days who had spent the dry land portion of their lives there and
had loved to call it home. It was American, as they were, American in
the old-fashioned meaning of the word, bluff, honest, rugged, real.
Galusha Bangs had traveled much, he loved the out of the way,
the unusual. It surprised him therefore to find how strongly this
commonplace, 'longshore spot appealed to his imagination. He liked it
and wondered why.
Of course the liking might come from the contrast between the rest and
freedom he was now experiencing and the fevered chase led him at the
mountain hotel where Mrs. Worth Buckley and her lion-hunting sisters
had their habitat. Thought of the pestilential Buckley female set him
to contrasting her affectations with the kind-hearted and wholehearted
simplicity of his present hostess, Miss Martha Phipps. It was something
of a contrast. Mrs. Buckley was rich and sophisticated and--in her own
opinion--cultured to the highest degree. Now Miss Phipps was, in all
probability, not rich and she would not claim wide culture. As to her
sophistication--well, Galusha gave little thought to that, in most
worldly matters he himself was unsophisticated. However, he was sure
that he liked Miss Phipps and that he loathed Mrs. Buckley. And he liked
East Wellmouth, bareness and bleakness and lonesomeness and all.
He rather wished he were going to stay there for a long time--weeks
perhaps, months it might be; that is, of course, provided he could
occupy his present quarters and eat at the Phipps' table. If he could do
that why--why... humph!
Instead of lying down he sat by that window for more than half an
hour thinking. He came out of his reverie slowly, gradually becoming
conscious of a high-pitched conversation carried on downstairs. He had
left his chamber door open and fragments of this conversation came up
the staircase. It was Primmie's voice which he heard most frequently
and whatever words he caught were hers. There was a masculine grumble at
intervals but this was not understandable on the second floor.
“Now I know better.... My savin' soul, how you do talk, Zach Bloomer!...
And I says to her, says I, 'Miss Martha,' I says.... My Lord of
Isrul!...”
Public-domain text, read in full here on John Shaqi.
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