Gargantua and Pantagruel, Illustrated, Book 2Rabelais, François
General
Gargantua and Pantagruel, Illustrated, Book 2
Rabelais, François
Fantasy fiction, French -- Translations into English; Gargantua (Legendary character) -- Fiction; Giants -- Fiction
Item, he had another pocket full of itching powder, called stone-alum,
whereof he would cast some into the backs of those women whom he judged to
be most beautiful and stately, which did so ticklishly gall them, that some
would strip themselves in the open view of the world, and others dance like
a cock upon hot embers, or a drumstick on a tabor. Others, again, ran
about the streets, and he would run after them. To such as were in the
stripping vein he would very civilly come to offer his attendance, and
cover them with his cloak, like a courteous and very gracious man.
Item, in another he had a little leather bottle full of old oil, wherewith,
when he saw any man or woman in a rich new handsome suit, he would grease,
smutch, and spoil all the best parts of it under colour and pretence of
touching them, saying, This is good cloth; this is good satin; good
taffeties! Madam, God give you all that your noble heart desireth! You
have a new suit, pretty sir;--and you a new gown, sweet mistress;--God give
you joy of it, and maintain you in all prosperity! And with this would lay
his hand upon their shoulder, at which touch such a villainous spot was
left behind, so enormously engraven to perpetuity in the very soul, body,
and reputation, that the devil himself could never have taken it away.
Then, upon his departing, he would say, Madam, take heed you do not fall,
for there is a filthy great hole before you, whereinto if you put your
foot, you will quite spoil yourself.
Another he had all full of euphorbium, very finely pulverized. In that
powder did he lay a fair handkerchief curiously wrought, which he had
stolen from a pretty seamstress of the palace, in taking away a louse from
off her bosom which he had put there himself, and, when he came into the
company of some good ladies, he would trifle them into a discourse of some
fine workmanship of bone-lace, then immediately put his hand into their
bosom, asking them, And this work, is it of Flanders, or of Hainault? and
then drew out his handkerchief, and said, Hold, hold, look what work here
is, it is of Foutignan or of Fontarabia, and shaking it hard at their nose,
made them sneeze for four hours without ceasing. In the meanwhile he would
fart like a horse, and the women would laugh and say, How now, do you fart,
Panurge? No, no, madam, said he, I do but tune my tail to the plain song
of the music which you make with your nose. In another he had a picklock,
a pelican, a crampiron, a crook, and some other iron tools, wherewith there
was no door nor coffer which he would not pick open. He had another full
of little cups, wherewith he played very artificially, for he had his
fingers made to his hand, like those of Minerva or Arachne, and had
heretofore cried treacle. And when he changed a teston, cardecu, or any
other piece of money, the changer had been more subtle than a fox if
Panurge had not at every time made five or six sols (that is, some six or
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