City and town life -- Fiction; Immigrants -- Fiction; Poor -- Fiction; Short stories, American; Slums -- Fiction
"Of course I ain't, honey; only, with you and him goin' right over to Al's
afterward, what's the sense of me goin'? I wanna stay home and think. It's
just like beginnin' to-night I could sit here and look right into the time
when there ain't goin' to be no more waitin' up nights for my boy. I--They
got all little white chickens out at Denny's roadhouse, Blutch--white with
red combs. Can we have some like them?"
"You betcher life we can! I'm going to win the beginnings of that farm
before I'm a night older. Lordy! Lordy! and to think I never knew anything
was eatin' her!"
"Blutch, I--I don't know what to say. I keep cryin' when I wanna laugh. I
never was so happy, Blutch, I never was."
"My little kitty-puss!"
* * * * *
At seven o'clock came Mr. Joe Kirby, dark, corpulent, and black of cigar.
"Come right in, Joe! I'm here and waitin' for you."
"Ain't the missis in on this killin'?"
"She--Not this--"
"No, Joe; not--to-night."
"Sorry to hear it," said Mr. Kirby, flecking an inch of cigar-ash to the
table-top. "Fine rig-up, with due respect to the lady, your missis is
wearing to-night."
"The wife ain't so short on looks, is she?"
"Blutch!"
"You know my sentiments about her. They don't come no ace-higher."
She colored, even quivered, standing there beside the bronze Nydia.
"I tell her we're out for big business to-night, Joe."
"Sky's the limit. Picked up a pin pointin' toward me and sat with my back
to a red-headed woman. Can't lose."
"Well, good-night, Babe. Take care o' yourself."
"Good night, Blutch. You'll play 'em close, honey?"
"You just know I will, Babe."
An hour she sat there, alone on the _chaise-longue_, staring into space and
smiling at what she saw there. Finally she dropped back into the lacy mound
of pillows, almost instantly asleep, but still smiling.
* * * * *
At four o'clock, that hour before dawn cracks, even the West Forties, where
night is too often cacophonous with the sound of revelry, drop into long
narrow aisles of gloom. Thin, high-stooped houses with drawn shades recede
into the mouse-colored mist of morning, and, as through quagmire, this mist
hovering close to ground, figures skulk--that nameless, shapeless race of
many bloods and one complexion, the underground complexion of paste long
sour from standing.
Public-domain text, read in full here on John Shaqi.
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