Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
Secluded as Mrs. Radcliffe was from the world, she was tremblingly alive
to every circumstance which could, by the remotest possibility, raise an
inference injurious to the personal character she valued far above
literary fame; and, as nothing could induce her to appear before the
public in any sort of contention, every thing of this nature preyed long
upon her mind. She was much affected by a passage of Miss Seward’s
correspondence, which seemed, to her apprehensive feelings, to convey an
imputation that she had allowed the dramas afterwards avowed by Miss
Baillie to be attributed to her pen. Miss Seward in one of her letters
dated May 21, 1799, after mentioning the plays, gave the following
quotation from a letter of “her literary friend and correspondent Mrs.
Jackson”—“Before their author was known, I observed so much of the power
and defects of Mrs. Radcliffe’s compositions in these dramas, as to
believe them hers, and I hear she owns them. Mrs. Radcliffe, in whatever
she writes, attentive solely to the end, is not sufficiently attentive
to observe probability in the means she uses to attain it. She bends her
plan—or, if it will not bend, she breaks it, to her catastrophe, by
making it grow out of the preceding events. Still she always takes hold
of the reader’s feelings, and effects her purpose boldly if not
regularly. Her descriptive talent, used to satiety in her novels, is
here employed with more temperance, and consequently to better purpose.”
The imputation thus conveyed was, perhaps, implicitly removed by two
letters of a few months later date; in one of which Miss Seward,
speaking of the Plays on the Passions, says, “My literary friends now
assert that they are not Mrs. Radcliffe’s;” and in the other, “The
literary world now asserts, that the Plays on the Passions are not Mrs.
Radcliffe’s;” for, if Mrs. Radcliffe had really owned them, it is
scarcely probable the literary world could so soon have discredited her
acknowledgment, while the real author remained unknown. This implied
vindication from a charge, which perhaps no one ever regarded, was not
sufficient for Mrs. Radcliffe’s delicate sense of propriety and honour.
She made inquiries after Mrs. Jackson, the lady mentioned as Miss
Seward’s informant, in order that she might trace out the origin of her
rumour. Having learned that Mrs. Jackson, after residing at Bath, had
removed to Edinburgh, she requested Mr. Davies, of the firm of Cadell
and Davies, who had ample opportunities of procuring information
respecting the literary society of Edinburgh, to ascertain if Mrs.
Jackson was still in that city. In the result of these inquiries it
appeared, that the lady, to whom the report was ascribed, had left
Edinburgh; that her residence was unknown; and that she was not even
supposed to be living. Under these circumstances, Mrs. Radcliffe was
obliged to leave her vindication (as, in truth, she safely might) to the
Public-domain text, read in full here on John Shaqi.
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