Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
Another circumstance, of a more trivial nature, gave her uneasiness,
though in a less degree. In one of the published letters of the late
Mrs. Carter, was a passage of a eulogistic nature, alluding to her
works; and to this a note was appended by the editor, showing that “Mrs.
Carter had no personal acquaintance with Mrs. Radcliffe.” This statement
was literally true; but to her sensitive nature it seemed to bear the
construction, that the excellent lady referred to would have avoided her
acquaintance. The fact, indeed, was exactly the reverse; for, in the
spring of 1799, Mrs. Carter sent to Mrs. Radcliffe a letter of
introduction from a lady of high respectability at Bath, and proposed by
note to wait on her on the following day; but Mrs. Radcliffe, being
engaged to leave town in the morning with her husband, whose health
required country air, was obliged respectfully to decline the intended
honour. The correspondence appeared in the Annual Biography for 1824,
with a short Memoir of Mrs. Radcliffe; and produced from Dr. Pennington,
the writer of the note, a most handsome letter, in which he earnestly
disclaimed even the slightest idea of disrespect to Mrs. Radcliffe,
stating that he was not aware of the little correspondence, or he would
have mentioned it with pleasure. Dr. Pennington also avows, not merely
with candour, but cordially, the admiration and personal respect, with
which Mrs. Carter thought and spoke of Mrs. Radcliffe.
With more reason, Mrs. Radcliffe was amazed at an absurd report, that,
haunted by the images of fear, with which she had thrilled her readers,
she had sunk into a state of mental alienation. A more unphilosophical
foundation for an untruth was never imagined; for it is obvious, that
through all her works she holds entire mastery over the terrors which
she employs, and even sedulously prepares the means of explaining them
by natural causes. It seems, however, that the authoress of a Tour
through England, in noticing the Duke of Rutland’s venerable and
romantic seat, called Haddon House, asserted that it was there that Mrs.
Radcliffe acquired her taste for castles and ancient buildings, and
proceeded to lament that she had, for many years, fallen into a state of
insanity, and was under confinement in Derbyshire:—the fact being, not
only that the main assertion was false, but that all its accompaniments
were destitute of foundation;—for Mrs. Radcliffe was only in Derbyshire
on two occasions, for a few days each, after her marriage, and never saw
Haddon House at all. This report, the falsehood of which might have been
ascertained by the authoress, on a reference to her own publisher, was
copied in a larger work of more recent date; and to complete the
fiction, a plate and description of Haddon House, as the scene of Mrs.
Radcliffe’s early impressions, were annexed by way of illustration. It
also supplied materials for poetry; as in an “Ode to Terror,” with other
effusions, published by a clergyman in 1810, Mrs.
Public-domain text, read in full here on John Shaqi.
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