American drama -- 20th century; Experimental fiction, American; Prose poems
Arrive and wait and say to no other that there is no deception when
there is relaxation. Not to say anything is obliging.
To have that position and to meet that destination and to show the way
which is not changed as a pleasant greeting and that reception is all
there is of all reunion. It does not copy the relation and it does have
that movement.
To see no harm and to see all the charm and to have possession and to
defend permission if there is any way to ask it is to despise one
another if there is the same reason. What can be used if all that is
held is supported by everything. What can be some change. The whole
place is there to see and to go there means that the same thing is
begun. The regard is different.
Leading in hearing, that is to be tired, that is what is the way to hear
more and always then there is that result, there is a change. Leading in
hearing and then that is being tired and being then staying and being
remaining and exchanging that for that thing.
Not feeding eating, that is eating in feeding, eating is what eating is
and feeding is what feeding is and eating and feeding that is the use of
that receptacle which is not empty. Nothing is empty and open and
everything is full when it is opening and closing. Closing is nothing.
The open way the open way and the closing way, the open way is not the
origin of that which is interesting, the parts of speech are not the
same, they have some origin.
The whole place has that which it has when it is found and it is there
where there is more room. Room has not that expression. It has no change
in a place. It is not dirty, there is no cleaner passage and the best
way to have it all express that is to cook a dinner. There is enough to
get a suit that is not had when there is no hope. That is the difference
if there is much and there is much more.
To place one by the side of another and they both have something that is
their color to do that and not languish is to look then and see that
relinquish what it will have when it remains where it is to be. This is
not foolish, it is a part of all distraction. It is the intention of
all dissension. It is the measure of all language.
To see that a piece is used where there is no receipt is one way to
express that things which are different have that resemblance and this
does not mean that there is not a denial, this means that the same room
is different when the furniture is colored. To color furniture is to say
that the furniture is wider and the walls are taller and the light is
clearer. To change often is to say that the use of something is the
same.
To answer when there is no question, to intend to follow when there is
no plunging, to embody that which has that knowledge, all that is the
way to remain with the little button that has a button-hole. This is so
attached.
Public-domain text, read in full here on John Shaqi.
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