American drama -- 20th century; Experimental fiction, American; Prose poems
A pleasing way to use a broom is to lean upon the wall and not do more
than make any one who is the one welcome. This if it is pleasing is
pleasing and working is industry. That does not change everything.
Intending to remove the dirt does not destroy the variegated color. The
color is not a stain. It shows what glass is when there is a reflection.
This peaceable pursuit is so earnest and so steady that there is no
remark made when all the time there is that description and the way is
that way as there is what is said as the way that is that way. The door
is not so open.
It was not dark and the weather was not clear and the sunshine was not
gloomy and the color was not red, it was not dusty and the window was
not open and the stove was not shut and the table was set. There was no
pepper and there was some salt and there was more chicken and there was
more sweet. There was cauliflower and there was cake and there was no
steamer and there was butter and there was potato and there was
cucumber. There was no cream and there was banana and there was cream
later and there was orange mixture. All the potato that was eaten had
been roasted and the pigeons were kept and the fruit was finished and
there was another platter.
All the time is dark and there is a light and the time to think is the
time to paint and the grey blue purple is the red rose color and the
pink white cover is the fine broken china. The object of more is to stay
that way and the use of the present is to mingle that future and the
presence of all is the use of that and the pleasure of that date is to
separate in weight. The time to express is to receive that attention and
the change in tone is not the disgust. The dwindling of more is not to
show that wear, the spring of the change is the loosening of that. The
mingling of this is not the spurt and the winning of the white is not
the soiling of the black. The tin that presses has not a hollow sound
and the color blue is not so pure and true. The best of all is the
presence of the best and the way to stay is to sit long in that way. No
way to stay is a way to go away. No way is a way. No way is way. There
is enough to sound the note and the little flute is there where there is
no air and the blowing is strong and the blowing is long and the air is
there where there is no air. Solemnly to stay is not a sad way. To stay
away is not the glory of that day. To begin the time is not the time to
dim the evening and enough decision has no origin. This is that result.
Public-domain text, read in full here on John Shaqi.
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