American drama -- 20th century; Experimental fiction, American; Prose poems
That is settled that which needs some introduction. It is not necessary
to refuse it. Any evening there is more hesitation. Any thickening of
the coat shows something and there is a use of that word.
It was all right, there was that hesitation, there was the time of the
afternoon and there was one evening of some which were those which were
evenings. There was that and the best way to show that is to have more
than each little piece not used as a question. This can commence that.
There is no perplexity, there is that abuse, there is more, there is
something. There is no bit of more than was used by any writing. There
can be more printing. There can be intending lending. There can be that
interest.
A peculiarity of the steps and the entrance is that it is not so
peculiar as there are more calling out something. This would change a
beginning if there had not been a setting. This which was was the time
to do that and the result is different.
So the whole thing means this that if there is a continual use of it all
there can be and there is the expression of that emotion.
The pleasantest anticipation is that reaction and more time is then
spent and the whole place is lonely. There are four in it.
If the cleverness of that copy means that a voice is louder then
certainly there is not that connection that there is as there is what
has been lasting. This is not so dirty. Cold water is not cleaner.
Pound the little time-table and then spread it so that reading it is not
any more simple than it was. This has that charm and every little
quality has that intensity. It is not more distinguished to be whiter
than to be redder, to be taller than to be shorter. The meaning has more
necessity.
A beaming expression does not mean that the eye is so clear that there
is no fatigue.
The drag that keeps that important is not spread out. This is a reason
why if that which is left to do is done there is no admission. All the
same there could be more if the direction was necessary and it is so
full that there is always that hope and that room.
Blessed are the patient particulars manifesting that hesitation so that
when there is no hope there is always a guide. In the languages that one
used and sung some words are longer than others and this has so much
seasoning and so strong a fence that certainly the tangle is not made
by more than the three words that come being divided by there being no
more. This does take the time.
All the beginning has that intelligence and certainly a useful time to
make requests is when there are any addresses and there are always
addresses in places. This does mean that need and that use and that
return and that plentiful remorse. There is so much to say.
A timidity that has no use in a boast is not that which tells about
drawing. The continuance of that is not more than promised, it is
continued.
Public-domain text, read in full here on John Shaqi.
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