Caricatures and cartoons -- Great Britain; English wit and humor; English wit and humor, Pictorial
the singer's passion will be no more. These, and a thousand examples
of the "Not till then," are but versions of the Hebrew assumption
of impossibility, expressed in the grotesque fancy of "the ass on
the ladder." But it is clear that Meyer the son of Rabbi Jacob was
not in Moorfields last year; it is certain that Abraham, the son of
Rabbi Nathan, little dreamed of what would be doing at Pimlico in the
nineteenth century; for whether at Mayfair or at Bethnal Green, at
Wapping or at Islington, one or both must have seen the impossibility
realised, in the elevation of the donkey, before the upturned wondering
eyes of a crowd of lingering mortals in the public thoroughfares.
Lest there should be some who never saw the modern street-mountebank,
going forth like Leporello with his ladder, and like Sancho with his
donkey, we must describe his performance. His greatest feat consisted
in balancing upon his chin a ladder with an ass on it. All other tricks
performed, and all eyes and mouths opened, curiosity on tiptoe and
incredulity on the stretch, forth came the wooden machine, and with legs
twisted through the staves, up went the animal. "Who," exclaims the
minstrel, "Ah who can tell how hard it is to climb!" But what poet ever
found a steep so difficult as that _gradus ad Parnassum_ to the seemingly
dislocated donkey? To the topmast round, you would see him clinging like
Shakspeare's giddy sea-boy on the mast; and surveying the mountebank who
had taught him to be such an astonishing ass, with a look that seemed to
say, "You're another!" Then would his master send round the hat upon its
last and greatest voyage of discovery; then would the halfpence therein
be rattled harmlessly in the vacant faces of boys with vacant pockets,
and then would the irresistible appeal be heard, "Come, good gen'lemen,
be liberal, be liberal--tuppence more, and up goes the donkey." Then
bending up each corporal agent for the terrible feat, up indeed would go
the ladder, donkey and all; high up in air, until its lowest stave rested
fairly and firmly on the protruded chin of the mountebank, where it stood
poised, fixed, moveless--the astonishing type, or rather the exact model,
of the balance of power in Europe.
The amazement now should be transferred from the balanced to the
balancer; for what is the difficulty of such a _gradus ad Parnassum_ to
the ass, compared with the sore trial of the man below, who has made the
bridge of his nose a _pons asinorum_! But in rivalship with the donkey,
the human being shrinks into insignificance; the grotesque patience of
the brute beats the strength and dexterity of the man hollow; the gazers
are all wrapped in ecstasy to see how the ass hangs on, not how the
cunning mountebank balances him. The sympathies of the crowd, men and
boys, are triumphantly borne off by the four-legged performer, and every
one of them goes away more convinced of the uncommon cleverness of the
ass, and consequently on better terms with himself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account