George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
There is a small porch of fine early pointed character on the east side
of the north transept and above it a very fine rose window. The ground
at the east end is planted out in a garden and the whole effect of the
choir with the restored steep roofs above the apsidal chapels is very
noble. There is what appears to be a distinct church (now desecrated)
attached to the east side of the south transept. It is of simple early
pointed and has in each bay two lancets and a round window above. It
has several bays of length, and an apse, and is parallel with the
choir. Careful works of restoration are going on here. I saw no trace
of any other old building, saving a portion of very late domestic work.
We left Noyon at 8.40 and reached S. Quentin at 10 P.M. ...
_June 17._
I turned out early and got a sketch of the great church before
breakfast. Its height is very imposing but in its general character
it disappointed my rather high expectations. It appears to me to be a
kind of late imitation of early work. For instance the triforium and
clerestory have almost geometrical tracery differing only in slight
points from the best kind of geometrical work. The proportions too are
good and the groining very simple. Many of the shafts in the choir are
single columns, but the carving of their capitals is very inferior
to that I have seen elsewhere. The choir has, too, a triforium which
seems to be much earlier than that of the nave, probably early in the
thirteenth century. One of the best features is the management of the
chapels and aisles round the apse. There are two transepts; the eastern
one does not show however in the ground plan. The tower was central at
the west end, but has been all modernized and does not now rise above
the immense pointed roof of the nave, so that in the distance the
church wants distinctness of character and outline, badly. The flying
buttresses are very elaborate and are steadied by arches thrown across
from pinnacle to pinnacle, so as to keep them from falling laterally;
notwithstanding these precautions the church has fallen out so much in
some parts as to look very unsafe.
Public-domain text, read in full here on John Shaqi.
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