The west front with its three great doorways is very magnificent. The two steeples, which are developments from the Laon idea, and like Laon unfinished, are at present not large enough for the porch and look too much like turrets, and yet they are of immense size. The substitution of second-pointed mouldings in these steeples for the first-pointed shafts of those at Laon, is unfortunately not an improvement. The whole porch is covered in the most lavish manner with elaborate sculpture of the very finest character and detail, but it is generally spread over the whole surface and gives perhaps an effect of littleness and fritter to the whole front. The detail of the pinnacles and flying buttresses at the sides is unusually fine, and all of the same fine early middle-pointed date--that of the apse and the chapels surrounding it is equally fine. The northern transept is also a fine composition, but the parapets were intended to have flanking towers and these are carried up in the same way as those both at Rouen and Chartres, hardly on a sufficient scale to be looked on as towers. Their great open belfry windows produce a fine effect. The three doors of the north transept are all very fine, though the sculpture on some of them is of earlier date than that of the west front, and of very ingenious execution. On entering, the impression produced is one of exquisite proportions, colour, and decoration, but perhaps a little too much of all this and not so much of that indescribable feeling which some noble churches so eminently produce. It is in fact a work of faultless art rather than religious feeling, though so noble a work of art cannot help inspiring great religious feeling. The whole design is extremely simple and as free from superfluous decoration as the west front is crowded with it. Its triforium appeared to be poor and insignificant in the extreme, after the magnificent triforia of Noyon and the other early churches with their ampler open spaces and fine groinings. The treatment of the west wall on the inside is very curious. It is divided into a great number of trefoiled niches with very little in the way of moulding, each niche having a figure; and the background being coloured white throws out these figures remarkably. Borders, spandrels, etc., are filled in profusely with much delicately carved and very flat foliage, all most accurately copied from natural forms. In the north transept is a curious wooden clock-case of the fourteenth century.... We left Rheims at 6 o’clock in the evening by railway for Meaux where we arrived to sleep at 11. _June 20._