George Eliot; a Critical Study of Her Life, Writings and PhilosophyCooke, George Willis
General
George Eliot; a Critical Study of Her Life, Writings and Philosophy
Cooke, George Willis
Eliot, George, 1819-1880; Novelists, English -- 19th century -- Biography
Lewes was one of the earliest English disciples of Auguste Comte, and he
probably did more than any other person to introduce the opinions of that
thinker to English students. He was a zealous and yet not a blind disciple,
rejecting for the most part the later speculations of Comte. Comte's
theories of social and religious construction were repugnant to Lewes's
mind, but his positive methods and his entire rejection of theology were
acceptable. Comte's positivism was the foundation of his own philosophy,
and he did little more than to expand and more carefully work out the
system of his predecessor. In psychology he went beyond Comte, through his
physiological studies, and by the adoption of the methods and results of
evolution. His discovery of the sociological factors of mind was a real
advance on his master.
George Eliot's connection with Lewes had much to do with the
after-development of her mind. An affinity of intellectual purpose
and conviction drew them together. She found her philosophical theories
confirmed by his, and both together labored for the propagation of
that positivism in which they so heartily believed. Their lives and
influence are inseparably united. There was an almost entire unanimity of
intellectual conviction between them, and his books are in many ways the
best interpreters of the ethical and philosophical meanings of her novels.
Her thorough interest in his studies, and her comprehension of them, is
manifest on many of her pages. Her enthusiastic acceptance of positivism in
that spirit in which it is presented by Lewes, is apparent throughout all
her work. Their marriage was a companionship and a friendship. They lived
in each other, were mutual helpers, and each depended much on--the advice
and counsel of the other. Miss Mathilde Blind has pointed out how
thoroughly identical are their views of realism in art, and on many other
subjects they were as harmonious. They did not echo each other, but there
was an intimate affinity of intellectual apprehension and purpose.
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