Geraldine Farrar: The Story of an American SingerFarrar, Geraldine
General
Geraldine Farrar: The Story of an American Singer
Farrar, Geraldine
Farrar, Geraldine, 1882-1967; Singers -- United States -- Biography
She knew all about "Juliet"--much to my surprise--even to details, such
as dress, innovations in _mise-en-scene_, and how I tried to infuse the
modern dramatic spirit into the measures of the opera. Then the
conversation wandered to personalities; among the most cherished, our
mutual great-hearted friend Coquelin, now, alas! gone to his last sleep
these many years; books, and her obstreperous dogs, most conspicuous by
their noisy presence. I was to enjoy her friendship from that day on. As
I write, a recent photograph stands before me, bearing a tender
inscription. A smile plays upon her face, despite her recent tragic
affliction. She is in truth an element, ageless, fearless, dauntless!
It was good to be back for a short season in the autumn in Berlin,
previous to my second departure for New York. The demonstration of the
loyal Berliners at my return was beautiful, despite successes elsewhere.
I was always to them "_unsere Farrar_."
CHAPTER XIII
MISUNDERSTANDINGS
My second Metropolitan season opened pleasantly with a neat little
success in the comparatively small role of Marguerite in "Mefistofele,"
which was produced for the benefit of Chaliapine, the great Russian
basso. Unfortunately, owing to his dissatisfaction and disappointment at
musical matters in general, nothing would induce him to return to
America, and we thereby lost an artist unique in all he attempted and
unparalleled in some of his typical Russian creations, such as "Boris"
and "Ivan the Terrible."
January, 1908, saw me on my native heath in Boston. I sang four
performances in six days--"Faust," "Madame Butterfly," "Elizabeth,"
"Pagliacci"--and the reception was a tornado of enthusiasm, to which the
historic walls of the old Boston Theater resounded. The conservative Hub
did not deserve such an appellation in the case of my welcome. I was
filled with pride and gratitude.
My own home town also wanted to share in the festivities; whereupon a
concert was arranged, and I returned to sing in the brick town hall
that had first sheltered my early efforts. At the close of the programme
I shook hands with every man, woman, and child who desired a close
scrutiny and personal greeting--and you may be sure I was not allowed to
abandon my place on the stage till all had availed themselves of this
invitation.
The following morning the Mayor and several prominent townspeople called
for me, and we visited the pupils of my former schools. They were all
ready, in line, to greet me, flags in their hands.
When an address was suggested, I arose with alacrity--and introduced my
friend Kate Douglas Wiggin, as speaker. Despite her surprise she rose
gracefully to the occasion in a most flattering little speech, to the
delight of her youthful hearers. I was, indeed, most fortunate to have
had a Mistress of Ceremonies of such tact and charm.
Public-domain text, read in full here on John Shaqi.
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