Germany and the Germans from an American Point of ViewCollier, Price
History
Germany and the Germans from an American Point of View
Collier, Price
Germany; National characteristics, German
I cannot understand how any German can criticise Bismarck, but there
are official prigs who do; little decorated bureaucrats who live their
lives out poring over papers, with an eye out for a "von" before their
bourgeois names, and as void of audacity as a sheep; men who creep up
the stairway to promotion and recognition, clinging with cautious grip
to the banisters. One sees them, their coats covered with the ceramic
insignia of their placid servitude, decorations tossed to them by the
careless hand of a master who is satisfied if they but sign his
decrees, with the i's properly dotted, and the t's unexceptionably
crossed. They are the crumply officials who melted into
defencelessness and moral decrepitude after Frederick the Great, and
again at the glance of Napoleon, and who owe the little stiffness they
have to the fact that Bismarck lived. It is one of the things a
full-blooded man is least able to bear in Germany, to hear the querulous
questioning of the great deeds of this man, whose boot-legs were
stiffer than the backbones of those who decry him.
What a splendid fellow he was!
"Give me the spirit that, on this life's rough sea,
Loves to have his sails filled with a lusty wind,
Even till his sail-yards tremble and his masts do crack,
And his rapt ship run on her side so low
That she drinks water and her keel ploughs air.
There is no danger to a man that knows
What life and death is -- there's not any law
Exceeds his knowledge; neither is it lawful
That he should stoop to any other law."
He was no worshipper of that flimsy culture which is, and has been for
a hundred years, an obsession of the German. He knew, none knew better
indeed, that the choicest knowledge is only mitigated ignorance. He
surprised Disraeli with his mastery of English, and Napoleon with his
fluency in French, both of which he had learned from his Huguenot
professors. The popular man, the popular book, the popular music,
picture, or play, were none of them a golden calf to him. He mastered
what he needed for his work, and pretended to no enthusiasm for
intellectualism as such. He knew that there is no real culture without
character, and that the mere aptitude for knowing and doing without
character is merely the simian cleverness that often dazzles but never
does anything of importance. "Culture!" writes Henry Morley, "the aim
of culture is to bring forth in their due season the fruits of the
earth." Any learning, any accomplishments, that do not serve a man to
bring forth the fruits of the earth in their due season are merely
mental gimcracks, flimsy toys, to admire perhaps, to play with, and to
be thrown aside as useless when duty makes its sovereign demands.
Public-domain text, read in full here on John Shaqi.
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