Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
The men wore _paletots_, small, soft caps pulled down over their ears,
and woolen comforters untied and hanging down their backs. They invited
the women to dance by pulling them by the cap ribbons that fluttered
behind them. Some few, in hats and frockcoats and colored shirts, had an
insolent air of domesticity and a swagger befitting grooms in some great
family.
Everybody was jumping and bustling about. The women frisked and capered
and gamboled, excited and stimulated by the spur of bestial pleasure.
And in the evolutions of the contra-dance, one could hear brothel
addresses given: _Impasse du Depotoir_.
Germinie entered the hall just at the conclusion of a quadrille to the
air of _La Casquette du pere Bugeaud_, in which the cymbals, the
sleigh-bells and the drum had infected the dancers with the giddiness
and madness of their uproar. At a glance she embraced the whole room,
all the men leading their partners back to the places marked by their
caps: she had been misled; _he_ was not there, she could not see him.
However, she waited. She entered the dancers' enclosure and sat down on
the end of a bench, trying not to seem too much embarrassed. From their
linen caps she judged that the women seated in line beside her were
servants like herself: comrades of her own class alarmed her less than
the little brazen-faced hussies, with their hair in nets and their hands
in the pockets of their _paletots_, who strolled humming about the room.
But soon she aroused hostile attention, even on her bench. Her hat--only
about a dozen women at the ball wore hats--her flounced skirt, the white
hem of which could be seen under her dress, the gold brooch that secured
her shawl awakened malevolent curiosity all about her. Glances and
smiles were bestowed upon her that boded her no good. All the women
seemed to be asking one another where this new arrival had come from,
and to be saying to one another that she would take their lovers from
them. Young women who were walking about the hall in pairs, with their
arms about one another's waists as if for a waltz, made her lower her
eyes as they passed in front of her, and then went on with a
contemptuous shrug, turning their heads to look back at her.
She changed her place: she was met with the same smiles, the same
whispering, the same hostility. She went to the further end of the hall;
all the women looked after her; she felt as if she were enveloped in
malicious, envious glances, from the hem of her dress to the flowers on
her hat. Her face flushed. At times she feared that she should weep. She
longed to leave the place, but she lacked courage to walk the length of
the hall all alone.
Public-domain text, read in full here on John Shaqi.
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