Marriage -- Drama; Married people -- Drama; Weddings -- Drama
To sum up, we have to depend on the solution of the problem of
unemployment, probably on the principles laid down in the Minority
Report of the Royal Commission on the Poor Law, to make the sexual
relations between men and women decent and honorable by making women
economically independent of men, and (in the younger son section of the
upper classes) men economically independent of women. We also have to
bring ourselves into line with the rest of Protestant civilization by
providing means for dissolving all unhappy, improper, and inconvenient
marriages. And, as it is our cautious custom to lag behind the rest
of the world to see how their experiments in reform turn out before
venturing ourselves, and then take advantage of their experience to get
ahead of them, we should recognize that the ancient system of specifying
grounds for divorce, such as adultery, cruelty, drunkenness, felony,
insanity, vagrancy, neglect to provide for wife and children, desertion,
public defamation, violent temper, religious heterodoxy, contagious
disease, outrages, indignities, personal abuse, "mental anguish,"
conduct rendering life burdensome and so forth (all these are examples
from some code actually in force at present), is a mistake, because the
only effect of compelling people to plead and prove misconduct is that
cases are manufactured and clean linen purposely smirched and washed
in public, to the great distress and disgrace of innocent children
and relatives, whilst the grounds have at the same time to be made so
general that any sort of human conduct may be brought within them by a
little special pleading and a little mental reservation on the part of
witnesses examined on oath. When it conies to "conduct rendering life
burdensome," it is clear that no marriage is any longer indissoluble;
and the sensible thing to do then is to grant divorce whenever it is
desired, without asking why.
GETTING MARRIED
By Bernard Shaw
1908
_______________________________________________________________
N.B.--There is a point of some technical interest to be noted in this
play. The customary division into acts and scenes has been disused, and
a return made to unity of time and place, as observed in the ancient
Greek drama. In the foregoing tragedy, The Doctor's Dilemma, there are
five acts; the place is altered five times; and the time is spread over
an undetermined period of more than a year. No doubt the strain on the
attention of the audience and on the ingenuity of the playwright is
much less; but I find in practice that the Greek form is inevitable when
drama reaches a certain point in poetic and intellectual evolution.
Its adoption was not, on my part, a deliberate display of virtuosity
in form, but simply the spontaneous falling of a play of ideas into the
form most suitable to it, which turned out to be the classical form.
Getting Married, in several acts and scenes, with the time spread over a
long period, would be impossible.
Public-domain text, read in full here on John Shaqi.
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