Gilead Balm, knight errant : $b His adventures in search of the truthCapes, Bernard
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Gilead Balm, knight errant : $b His adventures in search of the truth
Capes, Bernard
Detective and mystery stories, English; English fiction -- 20th century
“I’ll make you all pay hell for this. It’s a plot to rob me. She shot
herself--she did on my living oath. What have you done with my
rose-ring?”
The detective exerted some cool pressure.
“It’s my duty to warn you, Lightfoot,” he said, “that I’ve a warrant
for your arrest in my pocket, and that whatever you say now will be
used as evidence before the magistrate.”
III.
“Of course it is an acquired taste,” said Gilead. “All education is
acquired. Do you like olives?”
“No, I can’t bear them,” said Miss Halifax, making a face over the
unexpected question.
“They are invaluable,” he answered, “in bringing out the bouquet of
claret. So it is with that Japanese print” (he was standing with her
before a fine hachirakaki by Masonobu, which hung upon the wall).
“Take it in the right spirit, and then see what that exquisite little
arrangement by Whistler yonder owes to it. Why you yourself, you know,
are truly insensible of your obligations to this same Masonobu among
others.”
It was a Sunday afternoon, and he had invited his secretary and
amanuensis to tea with him in the Albany, with the express purpose of
relating to them, for their personal and private edification, the
history in detail of the bird-skins, about which, during the whole day
preceding, he had maintained an amused but impenetrable reserve. They
knew that he had been successful in his quest, and they knew little
else. He tantalized them even now by delaying the recital.
“_My_ obligations!” said the young lady, raising her brows in a very
pretty puzzled way. “How, Mr Balm?”
“Why,” said he, “to what, beyond a naturally refined taste, do you
think you owe the judgment so charmingly displayed in the decoration
of your own rooms? It was these early Japanese artists who were as
responsible as any for the growth among us of a spirit of true
appreciation of the beauty and value of line in decorative
composition. You must really learn to honour your artistic ancestry,
Miss Halifax.”
She sighed.
“I will try; only I do wish my ancestry had adopted a more attractive
convention for its faces. They have no more expression than eggs. It
will do, I suppose, if I taste Masonobu and drink in Whistler. You
tell me, you know, to love the wine for the olive, and not the olive
for the wine.”
He laughed.
“That is well answered; but I don’t despair of you yet. You shall come
by and by to love the olive for its own sake. Yes, that is the
Pigalle.”
“Isn’t it a dear!” she exclaimed, this time with a whole-hearted
admiration.
“It ought to be,” he answered. “I gave three thousand guineas for it.”
She smiled lovelily on him, thanking him silently for the little
whimsical significant confidence. “Mr Balm,” she said plaintively:
“when, _please_, are we to hear about the Quest?”
“At once,” he answered. “I was only waiting your command. I am just
spoiling, as the Americans say, for an audience. You shall own,
Nestle, that I have managed, in spite of the French proverb, to draw
oil from a wall.”
Public-domain text, read in full here on John Shaqi.
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