Giphantia: Or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, in the World.Tiphaigne de La Roche, Charles-François
Philosophy
Giphantia: Or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, in the World.
The metaphysical branch is almost equally furnished: But its leaves are
very thin, and their fibres so excessively small, that they are hardly
perceivable. I greatly pity the brains where they will settle. I see but
one way to give them ease: And that is, to treat the most thorny
questions after the modern manner; I mean to supply the want of clear
ideas and deep reflections, by bold and confident assertions, which may
serve to impose.
The moral branch droops, and receives scarce any sap; its withered
leaves declare an approaching decay; alas! it is dying. The plans on it
are quite effaced. This is too visible from the works that are published
of this kind. The ideas of good and evil are confounded; virtue is so
disguised as hardly to be known, nor is it easy to discern what is to be
called vice. And yet, the whole is not said. There remains many
arguments to be published against the obsolete notion of justice; many
jests to be passed upon those who still talk of probity in the old
fashioned stile; many fresh proofs to demonstrate, that national,
private, and especially personal interest, should be the sole rule of
conduct. At these so fine lessons, the Babylonians will clap their hands
and cry: “In truth, all the world was blind; and men did not see clearly
till this present time.”
The poetical branch is in a very bad state; there are only a few boughs
left, among others, the dramatic bough, and that so very weak, it can
hardly support itself. There will appear from time to time at Babylon
some tragic poets, but no comic. I suspect the reason. Formerly the
Babylonians were only ridiculous; they were brought upon the stage and
people laughed: Now, they are almost all vicious, but vicious upon
principle; and such objects by no means raise laughter. The manners
begin to be no longer theatrical.
The panegyrical branch is very considerable, and bends under its load.
There will be panegyricks applicable to a great man from whom some
favour is expected; to an author who having flattered, receives homage
for homage; to another, who is flattered, in order that he may flatter
again. There will be some commercial ones, which will be sold, to one
for his protection, to another for his table, to a third for his money.
There will be also some, and in great plenty for those, who beg them:
But there will be hardly any for those that deserve them the most.
Public-domain text, read in full here on John Shaqi.
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