Give the man room : $b The story of Gutzon BorglumCasey, Robert J. (Robert Joseph)
General
Give the man room : $b The story of Gutzon Borglum
Casey, Robert J. (Robert Joseph)
Borglum, Gutzon, 1867-1941
Borglum won his point. A working studio was established on the cathedral
grounds, and there Gutzon supervised the carving. He shared honors with
his assistant sculptors, Price and Gregory, who had come over from
England. Their names are signed to the work they shared in. Only the
contractor thought that the sculptor was hard to get along with.
Many of the statues which Gutzon had condemned were recut and properly
placed. The seventy-odd interior figures were one of the largest
collections of images of religious leaders ever gathered under one roof
since the beginning of the Christian era. They were also the largest
collection ever carved by one artist. And as revised, they began to look
somewhat respectable. Every detail of miter, chasuble and coat of arms
was perfect. There had been much correspondence to determine the finger
on which the pontifical ring should be placed.
By this time Gutzon had worked amicably with the cathedral authorities
for two years. His early arguments about machine-cut statues were
forgotten. And then came an incident which made people conscious of him
again. A bit of newspaper confusion gave him a reputation for bad temper
that he carried for the rest of his life.
It began in the meditations of Dr. John Peters, canon of the cathedral,
in a bourn far from newspapers and street-corner arguments. Dr. Peters,
all of a sudden, had become a little uncertain about the sex of angels.
He wasn’t at all controversial about the matter, but he thought that he
should convey what he had learned to Gutzon Borglum. So, in an innocent
way, he did. In a letter to Borglum he wrote:
Dr. Huntington calls my attention to something that in the
execution of the statues I had quite overlooked. He points out that
the Angel of the Incarnation is named in the Bible as the Archangel
Gabriel.
Now Gabriel is a masculine name, and, in point of fact, unless I am
mistaken, the archangels are thought of as masculine--Michael,
Gabriel, Raphael, etc. I am perfectly aware that in art one meets
frequently a feminine angel type bearing the lily of the
Incarnation, but is that really correct? Should not the heads of
both these angels and the figures in general be made if not
distinctly masculine, at least not distinctly feminine?
There you have all the correspondence on one side of this important
controversy. Gutzon’s reply is appended because it is all that was said
on the other side. He wrote this to Dr. Peters:
My Dear Dr. Peters, I have your letter referring to the feminine
character of the angels. I fully recognize the correctness of your
criticism from the standpoint of the Bible, though art and
tradition have practically ignored this. I shall change them as you
suggest.
Public-domain text, read in full here on John Shaqi.
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