After re-heating the glass, he may shear it with his scissors or shears,
open it out with his pucellas, crimple it with his tongs, measure and
caliper it, or shape it to a template.
Whilst he is doing such operations he sits in a glass worker’s chair.
This chair has two long extending arms, which are slightly inclined, and
along which he rolls his blow-iron or pontil, with the glass article
attached, working upon the rotating form, turning the iron with one
hand, whilst he uses his tools with the other hand, to shape or cut the
glass to its requisite form whilst it is hot, soft, and malleable.
The shears are like an ordinary pair of scissors, and are used for
cutting the hot glass, or shearing off the tops of bowls and wines to
their proper height.
The pucellas is a steel, spring-handled tool in the form of tongs, which
the workman uses to widen, extend, or reduce the open forms of glass by
bringing pressure upon the grips of the tool whilst applying it to the
hot glass.
The glass maker also uses another form of spring tool in taking hold of
hot glass or pinching hot glass to form. These are the tongs.
The battledore, or palette, is a flat board of wood with a handle, used
for flattening and trueing the bottoms of jugs or decanters, etc.
The chest knife is a flat bar of iron, usually an old file, used for
knocking off the waste glass remaining on the blow-irons and pontils
after use. A chest or iron box is kept for collecting such waste glass
for further use. A pair of compasses, calipers, and a foot rule complete
the glass maker’s outfit of tools.
=Making a Wine-glass.= The manipulations in the manufacture of a
wine-glass will now be described. A common mule wine-glass is formed
from three distinct pieces of glass: (_a_) the bowl; (_b_) the leg;
(_c_) the foot.
A wine “shop,” or “chair,” consists of three men; a “workman,” whose
main work consists of finishing the wine-glass; a “servitor,” who forms
or shapes the bulb; a “foot maker,” who gathers and marvers the glass;
and a boy who carries away and cleans the blow-irons.
The “footmaker” of the “chair” gathers on the end of a blowing-iron
sufficient glass to form a bowl. This is then shaped on a marver until
the required shape is obtained. The footmaker then blows this out to a
hollow bulb similar in size to the pattern to which he is working. When
the bulb leaves the footmaker it is the shape of the bowl of the
wine-glass.
Public-domain text, read in full here on John Shaqi.
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