Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Cormac O’Leary, and Carter, and Tyrone, now come down, and assisted
in persuading her to alight. “Sing to us,” they cried. “What hand can
strike the harp like thine? What master taught thee this heavenly
harmony?” “Oh, had you heard his song who taught me, then had you
wept in pity for my loss. What does life present that’s worth even
a prayer? What can Heaven offer, having taken from me all that my
soul adored? Why name Glenarvon? It is like raising a spirit from
the grave; or giving life again to the heart that is dead: it is as
if a ray of the sun’s glorious light shone upon these cold senseless
rocks; or as if a garden of paradise were raised in the midst of a
desert: birds of prey and sea-fowl alone inhabit here. They should
be something like Glenarvon who dare to name him.” “Was he all this
indeed?” said Niel Carter incredulously.
“When he spoke, it was like the soft sound of music. The wild
impassioned strains of his lyre awakened in the soul every emotion:
it was with a master-hand that he struck the chords; and all the
fire of genius and poetry accompanied the sound. When Heaven itself
has shed its glory upon the favourite of his creation, shall mortal
beings turn insensible from the splendid ray? You have maddened
me: you have pronounced a name I consider sacred.” “This prodigy of
Heaven, however,” said Cormac O’Leary, “behaves but scurvily to man.
Glenarvon it seems has left his followers, as he has his mistress.
Have you heard, that in consequence of his services, he is reinstated
in his father’s possessions, a ship is given to him, and a fair and
lovely lady has accepted his hand? Even now, he sails with the English
admiral and Sir Richard Mowbrey.”
The rich crimson glow faded from Elinor’s cheek. She smiled, but it
was to conceal the bitterness of her heart. She knew the tale was
true; but she cared not to repeat it. She mounted her horse, and
desiring Cormac O’Leary, Niel Carter, and others, to meet her that
night at Inis Tara, she rode away, with more appearance of gaiety
than many a lighter heart.
CHAPTER XCIV.
Elinor rode not to the mountains; she appeared not again at Belfont;
but turning her horse towards the convent of Glanaa, she entered there,
and asked if her aunt the abbess were yet alive. “She is alive,” said
one of those who remembered Miss St. Clare; “but she is much changed
since she last beheld you. Grieving for you has brought her to this
pass.”
What the nun had said was true. The abbess was much changed in
appearance; but through the decay, and wrinkles of age, the serenity
and benevolence of a kind and pious heart remained. She started
back at first, when she saw Miss St. Clare. That unfeminine attire
inspired her with feelings of disgust: all she had heard too of her
abandoned conduct chilled her interest; and that compassion which she
had willingly extended to the creeping worm, she reluctantly afforded
to an impenitent, proud, and hardened sinner.
Public-domain text, read in full here on John Shaqi.
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