Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
project from the main wall, the stratifications of cream, gray and green
sands are traced across their nearly vertical fronts like courses of
immense masonry, and every face is scoured by innumerable narrow, sharp
cuts, which are worn into the soft material from top to bottom of the
cliff, offering narrow galleries which give access for a considerable
distance into this labyrinth of natural fortresses. At a little
distance, these sharp incisions seem like the spaces between series of
pillars, and the whole aspect of the region is that of a line of
Egyptian structures. Among the most interesting bodies are those of the
detached outliers, points of spurs, or isolated hills, which are mere
relics of the beds that formerly covered the whole valley. These
monoliths, often reaching 100 feet in height, rise out of the smooth
surface of a level plain of clay, and are sculptured into the most
surprising forms, surmounted by domes and ornamented by many buttresses
and jutting pinnacles.
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[Illustration:
OLDEST HOUSE IN SALT LAKE CITY, UTAH.—Whether or not this is actually
the oldest house in Salt Lake City might be a disputed question, for
when it comes to ancient things, or to the oldest inhabitant, we
generally find that there are several claimants for the honor. But
we can say with sincerity and truth that this is one of the oldest
representative houses of the Mormon capital. It is one of the better
class, erected immediately after the city was laid out, and it has
been occupied continuously ever since. The house and its
surroundings have an air of quiet restfulness that is exceedingly
inviting, and a tired man could sleep like a new-born infant under
the board roof with the rain pattering down upon it.
]
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[Illustration: WITCH ROCKS, WEBER CAÑON.]
Public-domain text, read in full here on John Shaqi.
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