Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
It is finished now; it towers to heaven like a mighty giant from some
unknown world. The gilded Statues of Liberty flash back the sun’s rays,
and stand out to view for miles and miles around. All London is flocking
to the ceremony of its opening, for is not the genius that conceived and
placed it there to be the principal functionary of the day?
All is orderly in the streets; the vast crowd is held and kept in check
by the military and the police. A good-humoured, happy crowd, it seems
to be, with here and there occasionally a little rough horse-play. But
no harm is done. The people are on their best behaviour, for Hector
D’Estrange, the idol of that people, has appealed to them to preserve
order.
The vast building is rapidly filling. Since the great doors have been
thrown open, it has been one successive influx of people. There is no
disorder, for there is a separate passage for the holders of each class
of ticket, and along these the incomers are marshalled by the liveried
servants of the establishment. It is a wonderful sight to see the people
swarming to their places, and all the while through the building
trembles dreamy music, which thrills the senses, and makes them all
aglow with gentle and tender feeling. At last it is full. There is not
an inch of standing room in all that vast space set aside for
spectators; every seat is appropriated. Not a vacant one to be seen, and
it is computed that there are 50,000.
Every class is there; from the prince and peer, to the labouring man and
peasant, all have come, attracted by the all-powerful genius who is to
address that monster meeting this day. Imbued with the same feeling,
impelled by the same curiosity, attracted by the same sentiment, that
crowd of mixed denominations and sexes awaits his coming in breathless
expectation.
And it has not long to wait. The clock is striking eleven, when a
distant roar is heard, and the strains of martial music come floating
from afar. In the great Hall of Liberty a sudden hush has fallen; the
dreamy music has ceased abruptly, and a supreme silence reigns.
Again that roar! It is like the booming of a thousand cannons. It is
steady now and unceasing; it rushes forward along the dense walls of
spectators that throng the streets on either side of the way up which
Hector D’Estrange has to pass.
A whisper runs through the vast hall, a whisper of suppressed excitement
and expectation. “He is coming; he is coming!” is on every one’s lips,
as with eyes aglow and hearts thrilling with eagerness, the people bend
forward in their seats to watch for him.
The crowds outside the building have begun to cheer. The martial music
is very distinct now. The plaudits are every moment becoming more
intense, until they break into a deep and prolonged roar. As they do so,
the great folding doors of the Hall of Liberty are thrown open, and the
people rise in a body to their feet.
Public-domain text, read in full here on John Shaqi.
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