Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
A flourish of trumpets and loud cheering greets this announcement. Once
more the great entrance doors unfold, the band of the White Regiment
strikes up a march, as through the portals, ten abreast, and mounted on
grey horses, that regiment advances at a trot.
And at their head is one whom we have seen before. Very handsome she
looks in her uniform of pure white cloth, with the gold facings
glittering on her breast, and her sword in its silver sheath dangling
sparkling at her side. Flora Desmond is not greatly changed since we saw
her last, in appearance certainly, but over her life has come a wondrous
transformation. She is Hector D’Estrange’s right hand, and in aiding him
to carry out his noble aims is thoroughly in her element.
The white troopers advance at a trot rapid enough, but as each line
passes the platform on which Hector D’Estrange is standing they break
into a canter, increased to a gallop, whirling round the broad-spaced
horse-ride in magnificent order. Looking along the serried line of
horses’ heads hardly a hair’s breadth in difference can be
distinguished, so compact is the position which is maintained throughout
the ranks.
The march strains cease, and give way to a flourish of trumpets.
Simultaneously the galloping steeds are reined on to their haunches,
remaining motionless as statues. Thus they stand until the voice of
Flora Desmond is heard giving the order to retreat, when they fall into
position, and retire at the trot, she riding round to join her chief on
the platform.
And in this wise, headed by their respective bands and officers,
representative companies of Hector D’Estrange’s two hundred regiments
march or gallop past him. The ceremony occupies some two hours, but they
roll by all too quickly for the spectators, who, spell-bound by what
they see, watch the revolving scenes with the keenest interest.
The last one closes appropriately. Crashing and rumbling through the
wide-opened entrance dash the artillery. They come on at a rapid pace,
and wheeling round into the vast arena form up into splendid line. The
work of detaching the horses and unlimbering the guns is that of a
moment. In the next, a tremendous roar rings forth from the mouths of a
score of cannon which have been rapidly charged and fired.
Ere the echoes have died away the horses are again attached, the guns as
rapidly limbered up, and one by one the gun-carriages dash from the
scene, the great doors closing upon them.
Then cheer after cheer rings through the densely packed building as
Hector D’Estrange advances to the front of the platform to speak. But he
is raising his hand once more, as though appealing to be heard, and
again a great silence falls.
Public-domain text, read in full here on John Shaqi.
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