Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
Now, right ’way, she got ter come mixin’ in agin. (_Fiercely._) I done
took all I’se gwine ter off her! (_Moving about agitatedly._) ’Deed, I
is! W’at she anaway? Stuck up kase she got straight hair. Nevah done a
lick-a wuk in her life.
AUNT REBECCA
Hush, honey! Ain’ no use ter git all wukked up!
LUCY BELLE (with an hysterical laugh)
Ha! Ha! She think she kin keep Sam ’way from me! I like ter see her! I
like ter see her!
AUNT REBECCA
Nevah yo’ min’! Nevah yo’ min’!
(_A knock on the door, Back. Lucy Belle and Aunt Rebecca start._)
LUCY BELLE (_calling out in tremulous tones_)
Who dat?
SAM (_off, Back_)
Me--!
LUCY BELLE (_with a gasp_)
It Sam--!
(_She motions to Aunt Rebecca to leave the room. The old woman goes
off hurriedly, Left. Lucy Belle stands hesitant. A look of dire fear
comes over her face, and she appears to be on the verge of collapse.
However, with an effort she controls herself and goes uncertainly to
the door, Back, and opens it. Sam steps in. He looks older and thinner
than in Act I and his hair is streaked with gray, and his shoulders are
a trifle more stooped than before. He wears a dark suit of clothes--the
sort furnished to prisoners on the occasion of their release--a collar,
but no tie, and he carries a small bundle under one arm. In one hand he
carries his hat._)
SAM (_springing forward with a cry of joy_)
Gal--!
LUCY BELLE (_rushing to him_)
Sam!
(_He tosses his hat and the bundle on the table, takes her in his arms
and smothers her with kisses._)
SAM
Honey-baby! Honey-baby!
LUCY BELLE (_murmuring softly_)
Baby! Baby!
SAM
Yo’ ain’ fo’got yo’ ole Sam, is yo’?
LUCY BELLE
No, no! Oh, Sam, Sam! Mah ole Sam-boy! (_Clinging tightly to him._) Oh,
I’se so glad ter see yo’! Gawd bless yo’!
SAM
Honey-baby! Honey-baby!
LUCY BELLE
Ole Sam-boy! Mah honey-baby buddy-boy! I’se so glad ter see yo’!
SAM
Yo’ all did’n’ ’spec’ me, did yo’?
LUCY BELLE
No, no! Did’n’ have no idea in de worl’ I’se gwine ter see yo’ so soon.
Not till jes’ a minute ago. Slim come an’ tol’ me. He say Mink Hall
tol’ him.
SAM (_nodding_)
Yas--I seen Mink uptown.
LUCY BELLE
Ah, Sam-boy! Mah budigee lovah! Yo’ ain’ nevah gwine ter leave me agin,
is yo’?
SAM
Nevah, honey! No, indeedy! Not ’less dey takes me ’way in a box.
LUCY BELLE
Yo’s de bes’ ole buddy in de worl’!
SAM
Seem ter me like I only had ter shet mah eyes--night or day--an’ see
yo’ face. Only thinkin’ ’bout yo’ kep’ me from killin’ ev’body in sight
w’en I’se breakin’ mah back on dem rock piles. Yo’ don’ know w’at
kin’-a hell I been th’u’, gal. Kin’-a hell dat sets a man crazy--’less
he’s careful.
LUCY BELLE
I knows, I knows. Mus’-a been turrible! Turrible! Oh, Gawd!
SAM
Yo’ all stay right on yere--all de time?
LUCY BELLE
Yas, yas. Calc’lated ter move two or free times but could’n’ fin’
nuffin’ ter suit me.
SAM (_glancing about the room and noting that the cupboard and large
easy chair are missing_)
Whar’s de cupboard--an’--an’ dat ole easy chaiah?
Public-domain text, read in full here on John Shaqi.
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