Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
(_Sam nods. She goes out, Left. Sam moves slowly and thoughtfully about
the room. Presently a loud knock sounds on the door, Back. As he nears
it, it opens and Lizzie Gibbs rushes in._)
LIZZIE (_halting abruptly_)
Sam!
SAM
W’at in hell is yo’ doin’ yere?
LIZZIE
Well--Sam! So--so yo’s out again! Mah soul, but I’se damn glad ter see
yo!
SAM
W’at d’yo’ wan’? D’yo’ yere me?
LIZZIE (_ingratiatingly_)
Sam, kid--come on wid me--fo’ a good time! Le’s cel’brate!
SAM
Ef yo’ keep foolin’ ’roun’ me, yo’s gwine ter git hurt.
LIZZIE
Sam--Sam, ole boy--now hones’, w’at is I evah done ter make yo’ treat
me like yo’ has?
SAM
Go ’long! Git out-a yere!
LIZZIE (_with a show of anger_)
Yo’s a damn fool fo’ stickin’ ter dis gal. She don’ mean yo’ no good.
SAM (_menacingly_)
Shet up!
LIZZIE
She don’ care nuffin’ ’bout yo’!
SAM (_stepping toward her_)
Wan’ me ter bus’ yo’ in de mouf?
LIZZIE (_ingratiatingly again_)
Sam--I’se gwine ter git a good job uptown--Monday. I’ll keep yo’ dis
wintah, ole kiddo. Yo’ won’ haf ter do no wuk. Should think yo’ wan’
ter take it easy--fo’ a while--now yo’ out-a jail. Don’ yo’? I’ll show
yo’ a good time, son. Yo’ kin lay ’roun’ an’ take it easy--an’ git
drunk w’en yo’-a min’ ter--
SAM
Git out-a yere!
LIZZIE
Sam, I don’ wan’ ter see nobody like yo’ git tied up agin wid a wench
like her. Onct was ’nuff--but--
SAM
Git out-a yere--d’yo’ yere me? Beat it!
LIZZIE (_angrily_)
Yo’s a great big stiff ter let a gal like her take yo’ in.
(_The door, Left, opens slightly and Lucy Belle can be seen listening._)
SAM (_savagely_)
Shet up!
LIZZIE
Why, she been runnin’ ’roun’ wid Chick Avery--evah since yo’ lef. Ha!
Ha!
SAM
Dat’s a lie!
LIZZIE
So he’p me Gawd, dat’s de truf--an’ I kin prove it!
SAM (_menacingly_)
It’s a lie!
LIZZIE
She bleed yo’ ter deaf an’ den tuhn yo’ loose. I’se tellin’ yo’!
SAM (_hitting her on the jaw_)
Shet up! Yo’ blackguardin’ hussy!
LIZZIE (_shrieking_)
Murder! Murder! _Po_-lice! _Po_-lice! Murder!
(_Sam darts out the door, Back. Lucy Belle closes the door, Left.
Hurried footsteps are heard off stage, Back. Lizzie glances out of the
window, Left Back, gives a little gasp, looks wildly about for a place
to hide, runs to the closet door, opens it, darts in and pulls it shut
after her. A policeman enters, Back._)
POLICEMAN (_calling out_)
What’s the trouble here?
(_He stands looking about the room for a moment or two, then advances
toward the door, Left. It suddenly opens and Lucy Belle enters._)
POLICEMAN (_gruffly_)
What’s the matter?
LUCY BELLE
Nuffin’--nuffin’ at all, sir.
POLICEMAN
There was so! (_Striding over to her._) Who was that yellin’?
LUCY BELLE
I--I don’ know, sir. It was’n’ yere.
POLICEMAN
Stop your lyin’. I know better!
LUCY BELLE
No, no! Hones’ ter Gawd!
POLICEMAN
Say--where d’yuh get that stuff? Don’t yuh think I got ears? (_Goes to
the door, Left._) Who’s in here?
LUCY BELLE
Jes’ mah chillen.
Public-domain text, read in full here on John Shaqi.
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