Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
Yellow-red. Blue.
Green. Red.
Blue-red. Yellow.
245.
Where the junction is less complete, the appearance is as follows (214,
215):--
Yellow-red. Blue.
Yellow. Blue-red.
Green. Red.
Blue. Yellow-red.
Blue-red. Yellow.
Here, therefore, the surface still appears completely coloured, but
neither series is to be considered as an elementary series, always
developing itself in the same manner and in the same degrees; on the
contrary, they can and should be resolved into their elements; and, in
doing this, we become better acquainted with their nature and character.
246.
These elements then are (199, 200, 201)--
Yellow-red. Blue.
Yellow. Blue-red.
White. Black.
Blue. Yellow-red.
Blue-red. Yellow.
Here the surface itself, the original object, which has been hitherto
completely covered, and as it were lost, again appears in the centre of
the colours, asserts its right, and enables us fully to recognise the
secondary nature of the accessory images which exhibit themselves as
"edges" and "borders."--Note N.
247.
We can make these edges and borders as narrow as we please; nay, we
can still have refraction in reserve after having done away with all
appearance of colour at the boundary of the object.
Having now sufficiently investigated the exhibition of colour in this
phenomenon, we repeat that we cannot admit it to be an elementary
phenomenon. On the contrary, we have traced it to an antecedent and
a simpler one; we have derived it, in connexion with the theory of
secondary images, from the primordial phenomenon of light and darkness,
as affected or acted upon by semi-transparent mediums. Thus prepared,
we proceed to describe the appearances which refraction produces on
grey and coloured objects, and this will complete the section of
subjective phenomena.
XVII.
GREY OBJECTS DISPLACED BY REFRACTION.
248.
Hitherto we have confined our attention to black and white objects
relieved on respectively opposite grounds, as seen through the prism,
because the coloured edges and borders are most clearly displayed in
such cases. We now repeat these experiments with grey objects, and
again find similar results.
249.
As we called black the equivalent of darkness, and white the
representative of light (18), so we now venture to say that grey
represents half-shadow, which partakes more or less of light and
darkness, and thus stands between the two. We invite the reader to call
to mind the following facts as bearing on our present view.
250.
Grey objects appear lighter on a black than on a white ground (33);
they appear as a light on a black ground, and larger; as a dark on the
white ground, and smaller. (16.)
251.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account