So he starts away on his dissertation, with all its elegant pedantry, its paradoxical wit, its genuine touches of observation and its constant sparkle of anecdote. He is troubled to account for the existence of the cat. An Ottoman legend relates that when the animals were in the Ark, Noah gave the lion a great box on the ear, which made him sneeze, and produce a cat out his nose. But the author questions this origin, and is more inclined to agree with a Turkish Minister of Religion, sometime Ambassador to France, that the ape, "weary of a sedentary life" in the Ark, paid his attentions to a very agreeable young lioness, whose infidelities resulted in the birth of a Tom-cat and a Puss-cat, and that these, combining the qualities of their parents, spread through the Ark _un esprit de coquetterie_--which lasted during the whole of the sojourn there. Moncrif has no difficulty in showing that the East has always been devoted to cats, and he tells the story of Mahomet, who, being consulted one day on a point of piety, preferred to cut off his sleeve, on which his favourite pussy was asleep, rather than wake her violently by rising. From the French poets, Moncrif collects a good many curious tributes to the "harmless, necessary cat." I am seized with an ambition to put some fragments of these into English verse. Most of them are highly complimentary. It is true that Ronsard was one of those who could not appreciate a "matou." He sang or said: _There is no man now living anywhere Who hates cats with a deeper hate than I; I hate their eyes, their heads, the way they stare, And when I see one come, I turn and fly_. But among the _précieuses_ of the seventeenth century there was much more appreciation. Mme. Deshoulières wrote a whole series of songs and couplets about her cat, Grisette. In a letter to her husband, referring to the attentions she herself receives from admirers, she adds: _Deshoulières cares not for the smart Her bright eyes cause, disdainful hussy, But, like a mouse, her idle heart Is captured by a pussy_. Much better than these is the sonnet on the cat of the Duchess of Lesdiguières, with its admirable line: _Chatte pour tout le monde, et pour les chats tigresse_. A fugitive epistle by Scarron, delightfully turned, is too long to be quoted here, nor can I pause to cite the rondeau which the Duchess of Maine addressed to her favourite. But she supplemented it as follows: _My pretty puss, my solace and delight, To celebrate thy loveliness aright I ought to call to life the bard who sung Of Lesbia's sparrow with so sweet a tongue; But 'tis in vain to summon here to me So famous a dead personage as he, And you must take contentedly to-day This poor rondeau that Cupid wafts your way_. When this cat died the Duchess was too much affected to write its epitaph herself, and accordingly it was done for her, in the following style, by La Mothe le Vayer, the author of the _Dialogues_: