Graham's Magazine, Vol. XIX, No. 1, July 1841Various
General
Graham's Magazine, Vol. XIX, No. 1, July 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
There was that in the appearance and manner of Mr. Nivernois—his eye,
his glowing countenance, the intense life which there was about him,
rendered amiable by an entire simplicity of spirit—which was admirably
adapted to captivate the heart and fancy of a woman, especially an
enthusiastic one. What effect had been produced upon the imaginative
temperament of Miss Stanhope, we cannot say. As she was going away, Mrs.
Althorpe said to her,
“This Mr. Nivernois is certainly a man of genius, but he is mad, stark
mad—like Mazeppa’s steed—
Wild as the wild deer, and untaught,
With spur and bridle undefiled.
But he has blood and fortune. I sincerely wish you would take him in
hand and tame him: he is worthy of your attention, and if properly
brought under, would make a great addition to good society.”
The next day Nivernois was walking in the street and had his attention
attracted by a sign-board, which gave notice of a gallery of pictures.
Having nothing better to do, he went into it. The collection was a good
one, and he spent some time in looking at different productions of the
old masters. The feeling which chiefly occupied his mind was regret that
genius so exalted as many of these artists possessed should have left no
monument more durable than a perishing canvass, which would one day
cause all that marvellous skill to be nothing but a name. His eye was
presently drawn to a portrait of a young lady of singular beauty. The
picture was a fresh one, and he thought that he had seen the features
before, but where or when, he could not remember. The side of the figure
was presented, with the face turned round over the shoulder towards the
spectator. Her dress was blue; a laced veil was on her head, and in her
hand a _bouquet_ of flowers, around which was a band on which was the
word “Love.”
“Beautiful creature!” said he aloud, as he gazed upon the portrait, “and
whom do you love?”
“Thee,” faintly said a soft voice above him. He started and looked up.
There was a gallery above, and upon it a door covered by a curtain. He
saw the curtain move as if some one retreated rapidly through it, and he
thought that he had caught a glimpse of a blue dress. He ran rapidly up
to the gallery and through the curtained door, in hopes of discovering
the speaker, perhaps the original of the portrait. He searched every
apartment of the building, but in vain: no one was to be found. He
returned to the picture and sat down before it.
Public-domain text, read in full here on John Shaqi.
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