Graham's Magazine, Vol. XL, No. 5, May 1852Various
General
Graham's Magazine, Vol. XL, No. 5, May 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The immense Manufacturing capacity and aptitude of Great Britain are
here abundantly represented. From the unequaled Shawls of Cashmere to
the fabrics woven of reeds or bark by Australian savages; from the Coal
of Pictou to the Spices of Ceylon; almost every thing which mankind have
agreed to value and consecrate as property, is collected in the western
half of the Crystal Palace, under the folds of the meteor flag, and
displayed as specimens of the products of Queen Victoria’s spacious
Realm. Here Manchester unrolls her serviceable fabrics, and Birmingham
displays her cheap and varied wares; here Sheffield, Glasgow, Belfast,
and other centers of a vast manufacturing activity, solicit your
attention to whatever is most showy or most substantial among their
multiform productions. Gilded Fire-places of silver-shining steel, or
snowy, speckless marble; vessels of Iron, of Clay, or of Tin; Robes and
Couches, Cannon and Bibles, Grind-stones and Pianos, by turns arrest the
gaze in a bewildering medley, which yet is not quite confusion; for most
of the articles are roughly classified, and the vast area is divided
into an infinity of apartments, or “courts,” closed at the sides, which
are covered with cards of their proper wares, as is often the end
farthest from the center aisle, and sometimes a good part of the front
also. Behind each court is an open passage-way, walled in by displays
usually of homely wares and fabrics, mainly of iron, or brass, and
behind these again are other courts, more open and irregular than the
former, devoted to Castings, Metals, Ores, and the ruder forms of
mineral wealth, occasionally giving place to the Refreshment Saloons
wherewith the Palace is abundantly provided—to Committee Rooms, Jury
Rooms, and other incidents of the Exhibition. And, thus environed, we
move on, westward, until the grand Machinery Room absorbs henceforth the
entire space to the north of us, the hum of its innumerable Wheels,
Rotary Pumps, Looms, Spinning-Jennies, Flax-Dressers, Printing-Presses,
etc., etc., at all times audible from the distant center of the Palace,
in spite of well-directed efforts to drown it. At last we reach the
western doorway, half-obstructed by gigantic Bells and other bulky
Manufactures, beyond which is the naked Park, or would be but for the
still huger blocks of Coal, Stone, etc., for which no place could be
made within the building—and our journey is at an end.
Public-domain text, read in full here on John Shaqi.
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