Graham's Magazine, Vol. XLI, No. 6, December 1852Various
General
Graham's Magazine, Vol. XLI, No. 6, December 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
[Illustration: =Winged Human-Headed Lion. (N. W. Palace, Nimroud.)=]
“Behind the lions was another chamber.[6] I uncovered about fifty feet
of its northern wall. On each slab was carved the winged figure with the
horned cap, fir cone, and square vessel or basket. They were in pairs
facing one another, and divided by an emblematic tree, similar to that
on the corner-stone in chamber B. All these bas-reliefs were inferior in
execution, and finish, to those previously discovered.”
The following extract shows the great variety of objects which present
themselves among the buried ruins of Nimroud, and the large scale on
which the Assyrian works of art were projected and executed.
“The change to summer had been as rapid as that which ushered in the
spring. The verdure of the plain had perished almost in a day. Hot
winds, coming from the desert, had burnt up and carried away the shrubs;
flights of locusts, darkening the air, had destroyed a few patches of
cultivation, and had completed the havoc commenced by the heat of the
sun. The Abou-Salman Arabs, having struck their black tents, were now
living in ozailis, or sheds, constructed of reeds and grass along the
banks of the river. The Shemutti and Jehesh had returned to their
villages, and the plain presented the same naked and desolate aspect
that it wore in the month of November. The heat, however, was now almost
intolerable. Violent whirlwinds occasionally swept over the face of the
country. They could be seen as they advanced from the desert, carrying
along with them clouds of sand and dust. Almost utter darkness prevailed
during their passage, which lasted generally about an hour, and nothing
could resist their fury. On returning home one afternoon after a tempest
of this kind, I found no traces of my dwellings; they had been
completely carried away. Ponderous wooden frameworks had been borne over
the bank, and hurled some hundred yards distant; the tents had
disappeared, and my furniture was scattered over the plain. When on the
mound, my only secure place of refuge was beneath the fallen lion, where
I could defy the fury of the whirlwind; the Arabs ceased from their work
and crouched in the trenches, almost suffocated and blinded by the dense
cloud of fine dust and sand which nothing could exclude.[7]
“Although the number of my workmen was small, the excavations were
carried on as actively as possible. The two human-headed lions, forming
the entrance _d_,[8] led into another chamber, or to sculptured walls,
which, as it will hereafter be explained, may have formed an outward
facing to the building. The slabs to the right and left, on issuing from
this portal, had fallen from their original position, and all of them,
except one, were broken. I had some difficulty in raising the pieces
from the ground. As the face of the slabs was downward, the sculpture
had been well preserved.
Public-domain text, read in full here on John Shaqi.
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