Graham's Magazine, Vol. XVIII, No. 2, February 1841Various
General
Graham's Magazine, Vol. XVIII, No. 2, February 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The lively little girl ran off, and Adolf again was about to pursue his
path, when old Mullerhorn, accompanied by the intended bridegroom, and
some of his neighbors, arrived at the farm.
“What, Adolf,” said the old man, while a cynical smile played over his
thin features, “Adolf here. Thou hast been a stranger of late, lad. But,
come, wilt thou not in with us and witness this merry marriage? In
faith, it will gladden my little Barbara to see thee there. Come, thou
must aid in this gay ceremony.”
Adolf was, for a moment, undecided what answer to make old Mullerhorn;
but curbing his indignation, and repressing an angry reply—he thought
it most prudent to accept the invitation.
“I thank you, neighbor Philip,” said he, “and willingly will go with
you.”
“Why, that is well spoken, boy,” replied the old man, unusually elated
by the occasion. “I always liked thee, Adolf; but no ducats, lad, no
ducats.”
“They are not so very difficult to procure,” whispered a voice in
Adolf’s ear; he turned, and beheld Rudenfranck.
“Well, in, Adolf; and eh? Franz Rudenfranck too? But, in—in with ye
both,” said old Mullerhorn, and the party entered the farm-house.
The room into which they were ushered, was an ample, commodious
apartment, constructed in the true Dutch fashion, with a polished oak
floor, and noble rafters of the same wood. It was hung around with some
few gay colored prints, illustrating Scripture subjects, and some bright
tin sconces; and the furniture was substantial, although homely. A large
mahogany press, whose bright surface and polished brass knobs, might
have compared in brilliancy with the mirror, stood in one corner; an old
fashioned Indian chest, ponderous and highly japanned, ornamented the
opposite niche. Some heavy chairs with long, high backs, and formal arms
and legs; the never failing spinning wheel and Dutch clock; and a pair
of tall, ill-shaped, brass fire-dogs, completed the garniture of the
apartment. The walls were decorated with festoons of evergreen,
tastefully arranged by the fair hands of Barbara herself. Two
ill-looking, dingy paintings, also occupied a couple of recesses; and a
neatly polished cherry table, near a window, displayed an inviting array
of apple brandy, cherry wine, cider, and such refreshments as were
indigenous to the country. The good dame, after welcoming kindly her
guests, bustled off to resume the superintendence of the kitchen; and
the unfortunate Barbara herself, arrayed in bridal trim, and looking
through her tears, as lovely as the violet, freshly bathed in dew,
remained, seated in one of the large chairs, and vainly endeavoring to
conceal her emotion. As Adolf entered, her heart palpitated violently,
and she could with difficulty so far command herself, as to bid him
welcome. Nor did the sight of Barbara in such distress, fail equally to
afflict her lover; a grief which Rudenfranck artfully increased, by
hinting strongly to Adolf, the possibility of changing the entire face
of the scene.
Public-domain text, read in full here on John Shaqi.
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