Graham's Magazine, Vol. XX, No. 3, March 1842Various
General
Graham's Magazine, Vol. XX, No. 3, March 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
A wide, wide sea! and on it rear and van
Amid the stars, the silent meteors ran
All that still night, and Julio with a cry
Woke up, and saw them flashing fiercely by.
* * * * * *
Full three times three, its awful veil of night
Hath Heaven hung before the blessed light;
And a fair breeze falls o’er the sleeping sea,
When Julio is watching Agathè!
By sun and darkness hath he bent him over—
A mad, moon-stricken, melancholy lover!
And hardly hath he tasted, night or day,
Of drink or food, because of Agathè!
He sitteth in a dull and dreary mood,
Like statue in a ruin’d solitude,
Bearing the brent of sunlight and of shade,
Over the marble of some colonnade.
The ladye, she hath lost the pearly hue
Upon her gorgeous brow, where tresses grew
Luxuriantly as thoughts of tenderness,
That once were floating in the pure recess
Of her bright soul. These are not as they were;
But are as weeds above a sepulchre,
Wild waving in the breeze: her eyes are now
Sunk deeply under the discolor’d brow,
That is of sickly yellow, and pale blue
Unnaturally blending. The same hue
Is on her cheek. It is the early breath
Of cold corruption, the ban-dog of death,
Falling upon her features. Let it be,
And gaze awhile on Julio, as he
Is gazing on the corse of Agathè!
In truth, he seemeth like no living one,
But is the image of a skeleton:
A fearful portrait from the artist tool
Of madness—terrible and wonderful!
There was no passion there—no feeling traced
Under those eyelids, where had run to waste
All that was wild, or beautiful, or bright;
A very cloud was cast upon their light,
That gave to them the heavy hue of lead;
And they were lorn, lustreless, and dead!
He sate like vulture from the mountains gray,
Unsated, that had flown full many a day
O’er distant land and sea, and was in pride
Alighted by the lonely ladye’s side.
Public-domain text, read in full here on John Shaqi.
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