Graham's Magazine, Vol. XXI, No. 3, September 1842Various
General
Graham's Magazine, Vol. XXI, No. 3, September 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
two hours longer the sisters sat together in Annabel’s bedchamber, and
wept in one another’s arms, and comforted each other’s sorrows, and
little dreamed that they should meet no more for years—perchance
forever! The morning broke like that which had preceded it, serene and
bright, and lovely—the great sun rushed up the blue vault in triumphant
splendor, all nature laughed out his glory—but at a later hour, far
later than usual, no smoke was seen curling from the chimneys of the
hall, no sign of man or beast was visible about its precincts. The
passionate scenes—the wild excitement of the preceding day, had brought
about, as usual, a dull reaction; and sleep sat heavy on the eyelids, on
the souls of the inmates. The first who woke up was Annabel—Annabel,
the bereaved, the almost widowed bride. Dressing herself in haste, she
sought, as usual, her mother’s chamber, found her—oh happy! how happy
in her benighted state, since she knew not, nor understood at all, the
sorrows of those whom she once had loved so tenderly—found her in deep
calm slumber—kissed her brow silently, and breathed a fond prayer over
her, then hurried thence to Marian’s chamber—the door stood open; it
was vacant! Down the stairs to the garden—the door that led to that
sweet spot was barred and bolted—the front door stood upon the latch,
and by that Annabel passed out into the fresh young morning—how fair,
how peaceable, how calm was all around her—how utterly unlike the
strife, the toils, the cares, the sorrows, the hot hatreds of the
animated world—how utterly unlike the anxious pains which were then
gnawing at that fair creature’s heartstrings! She stood awhile, and
gazed around and listened; but no sound met her ears, except the
oft-heard music of the wind and water—except the well-known points of
that familiar scene—she walked—she ran—a fresh fear struck her, a
fear of she knew not what—she flew to the garden—“Marian!
Marian!”—but no Marian came! no voice made answer to her shrill
outcries—back! back! she hurried to the house, but in her way she
crossed the road conducting to the stables—there were fresh horse
tracks—several fresh horse tracks—one which looked like the print of
Marian’s palfrey—without a moment’s hesitation she rushed into the
stable court, no groom was there, nor stable boy, nor helper—and yet
the door stood open, and a loud tremulous neighing, Annabel knew it
instantly to be the call of her own jennet, was wakening unanswered
echoes. She stood a moment like a statue before she could command
herself to cross the threshold—she crossed, and the stall where
Marian’s palfrey should have stood next her own, was vacant. The
chargers of De Vaux were gone; the horses of his followers—she shrieked
aloud—she shrieked till every pinnacle and turret of the old hall, till
every dell and headland of the hills, sent back a yelling echo. It
scarcely seemed a moment before the court yard, which, a moment since so
Public-domain text, read in full here on John Shaqi.
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