Graham's Magazine, Vol. XXXIV, No. 5, May 1849Various
General
Graham's Magazine, Vol. XXXIV, No. 5, May 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Looking back into childhood, these stony-hearted months when frost and
snow reign king and queen over earth, seem, indeed, the most joyous—and
not without reason. For then the “Christman” and the youth so full of
promise, the bright New Year, are never-failing guests by the mid-winter
fire-side. There is joy for the child on the ice-bound hill, on the
glassy, frozen lake, in the gurgling, merry sound of the sleigh-bells,
in the sight of the cheerful home-fire, in the bracing out-door air, in
the huge snow-drifts—everywhere, everywhere there is joy for the child!
And why? Because of bounding hopes and joyous dreams, and the careless
yielding up of oneself to every passing enjoyment—because of freedom
from labor—because of ignorance of the worth and supremacy of
gold—because of utter innocence of the strict “proprieties” of life!
There is joy for the child, because he has not yet learned much of
disappointments; he does not know how uncomfortable is the close-fitting
garment of manhood. He is not wise enough to see in the winter storms,
in the driving blasts in which he so much delights, the type of what
assuredly awaits him. He does not know that the life-storms with which
he will have to struggle, will come suddenly and furiously upon
him—that he will, perforce, then fling aside his mittens and grapple
open handed with his foes. And it must certainly be at the warm and
genial hearth-fire of truth and honesty, and no stifling stove-heat by
which he must keep his heart, and its hopes and affections warm and in
health, else they will die away suddenly and utterly, even as the fire
of the “patent air-tight” dies!
Hark! now I hear the flapping of wings; and lo, here, almost close
beside my window, are passing pigeons—snow-white pigeons; and, where
_could_ it have streamed from, there is a ray of sunlight on their
wings! and since I have begun writing, the clouds seem to have “spent
their fury,” they are less dull and dreary—they are slowly breaking
away.
The view from the window by which I am writing is not especially
charming. In one direction there are sheds, and barns, and barren trees,
and a little farther on, the spire of an unpretending church, and sundry
chimney-tops, together with the roofs of a few loftier buildings meet my
eye. These are all certainly very _suggestive_ scenes, and might make so
many important heads of a very interesting discourse; but, in another
direction from this same window there are great fields, and farther on,
woods and hills, and between them and me, there are two points in the
landscape on which very often my eyes rest, and many are the
recollections, bitter and sweet, they awaken. One is a village
school-house, the other a thickly-populated grave-yard.
Public-domain text, read in full here on John Shaqi.
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