Graham's Magazine, Vol. XXXV, No. 2, August 1849Various
General
Graham's Magazine, Vol. XXXV, No. 2, August 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Few places can present a more delightful promenade than this _front_ of
Harrisburg; and the writer hereof has more than once sought to express
his appreciation of the walk and the gorgeousness of the views to be
enjoyed therefrom. The scene is ever fresh—ever delightsome, to one who
has an eye for the beautiful of nature, and a heart to be warmed into
the enjoyment of that beautiful. No frequency of indulgence palls the
appetite here—no change of season diminishes the attraction. Whether
the stream murmurs round the projecting rock and over masses of pebbles
that mark its bed and are visible in summer, or whether the current
dashes deep and bold, fed by the melting snows of the upper mountains,
it is beautiful; beautiful in its simple exhibition—beautiful in its
terrible grandeur. Whether the setting sun steeps the current in liquid,
tremulous light, or the wild, tempestuous blasts of January heap up the
waters in dark and chaffing masses, all is beautiful; and men go forth
to gaze in quiet enjoyment on the peaceful flow of July, or to enrich
and stimulate their feelings with the all-conquering power of the
down-rushing torrent of March.
Indulging in dreamy pleasure one morning late in June, while
contemplating the loveliness of the scene, I cast my eyes away to the
mountains through which the river forces its course a few miles above
the town, and was delighted to see the first evidences of the rising sun
in the yellow light that tinged the topmost peaks of those mighty
promontories, while heavy wreaths of mist, engendered on the ground
below, were rolling upward, like giants anxious to bathe early in the
sunlight—an enjoyment that must have cost them existence, or, perhaps,
only present _visibility_.
I can now recall some of the reflections to which the magnificent scene
gave rise. Those children of the mist, that tended upward, were they
only imaginary beings? only the workmanship of my fancy, upon the crude
materials that sprung up from the fens? or were those misty shapes
indeed the essential forms of spirits, whose tendencies were
upward—who, though dragged downward by the grossness of their outward
covering, which affected its home and would abide in its cold, dark
birth-place, struggled upward to the light and heat, and were released
from the clogging properties of the visible and the impure, while they
put on the invisible and the purified?
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