Graham's Magazine, Vol. XXXVI, No. 2, February 1850Various
General
Graham's Magazine, Vol. XXXVI, No. 2, February 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
But fame seemed to him yet afar off; to hear himself spoken of as “a
young artist who was remarkably successful in likenesses”—“a young man
of considerable promise,” was galling to his vanity, and he resolved to
execute some work that should claim attention. While he was thinking of
this, unable to fix upon any subject, he met, as we already know, Elise
Revere. That face of such strange beauty, line by line his skillful
pencil could copy; he could catch as he gazed upon them living before
him, the spiritual brow, and the eye’s deep poetic thought—all that
only a master-hand could _create_ upon canvas. The sittings were long
and many, but the artist was enchanted with his success—his ambitious
dreams grew brighter, and he almost felt the laurel on his brow. Days
and nights were occupied with thoughts of this new work, and the cold
selfishness of his ambition cannot be better shown than by the fact,
that when the illness and death of poor Elise reached his ears, the
involuntary first thought was, “My picture was in time!”
And this was the being—his selfish nature unrevealed in his
good-natured face and cordial manner, who sought to win the young,
child-like heart of Emily. Few could have resisted the fascination of
his presence—the mien deferential, tender—so eloquent of admiration,
and finally of love. Emily did not at least; she thought him good, noble
and gifted, and then he was so handsome, and beauty is a powerful
pleader to the heart of seventeen. She soon learned to love the books
and music he had praised, to look for his smile amid the crowd, and be
sad if she met it not—to treasure the flowers he had given and the
words he had whispered over them, and at last to be pensive or gay,
happy or sorrowful, in harmony with the music of those sweet chimes that
usher in the morning of a first love.
The sittings for Emily’s portrait had been a happy period to both the
artist and his beautiful subject—hours of pleasant interchange of
thought and feeling, memorable steps in the rosy pathway they were now
treading—and this day in especial had been so delightful, with its
thousand nothings of conversation, to which time and circumstance give
such a value, that an unconcealed shadow of regret fell upon each face,
as Miss Hastings’ servant announced that the carriage waited.
“I believe,” said Emily, as she tied the little white chip hat under her
dainty chin, “that you told papa yesterday there would be but one more
sitting before the picture was finished.”
“Only one more,” replied Edgar, in a tone which sent a richer bloom into
Emily’s cheek, and as fearful of betrayal she turned away her head, her
wandering eyes fell upon the portrait of Elise Revere, from which the
carelessly fastened covering had fallen.
“Oh, how beautiful, how adorably beautiful!” she exclaimed, pressing
eagerly forward, “and is it yours, Edgar?”
He looked into her glowing face, and his heart swelled proudly as he
answered:
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